000			01938cam a2200217 i 4500
020			_a9781780935980
020			_a1780935986
040			_cCUS
082	0	4	_a823.009928709045 _bRIN/I
100	1		_aRine, Abigail
245	1	0	_aIrigaray, incarnation and contemporary women's fiction / _cAbigail Rine
260			_aUSA: _bBloombury Academic, _c2013.
300			_ax, 184 p.: _c24 cm
504			_aIncludes bibliographical references and index.
505			_a1 Becoming Incarnate: Luce Irigaray on Religion Irigaray and the divine Irigaray and incarnation Literature as incarnated writing 2 Where Literature, Religion and Feminism Meet: Critical Perspectives Women’s revisionist writing Breaking new ground 3 ’In Love with Either/Or’: Religion and Oppositional Logic in Margaret Atwood’s The Handmaid’s Tale Opposites that tear the world apart Bodies and word(s) Chaste vessels and unholy harlots The Gilead within Conclusion 4 ’Where God Begins’: Reconciling the Female Body and the Divine Word in Michele Roberts’ The Book of Mrs Noah and Impossible Saints 'The Word that structures difference’ Subjecting the flesh Incarnating new words Rejection, revision, renewal Conclusion 5 ’Sucked into the Black Cloth’: Religion, Race and Sexual Shame in Alice Walker’s By the Light of My Father’s Smile Religion as an imperialist force The wound of sexual shame The healing spirit of Eros Conclusion 6 ’Your Father Who is Tender Like a Furnace’: Divinity, Violence and Desire in A. L. Kennedy’s Original Bliss Someone to make her whole Helen and the apple The ’palpable gift’ of God’s judgement Coming to our senses Conclusion
650		0	_aEnglish fiction _xHistory and criticism.
650		0	_aEnglish fiction _xWomen authors _xHistory and criticism.
650		0	_aEnglish fiction _xHistory and criticism.
650		0	_aHoly, The, in literature.
942			_cL2C2
999			_c4980 _d4980