000 | 02193cam a2200253 i 4500 | ||
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999 |
_c3962 _d3962 |
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020 | _a9780199670567 | ||
020 | _a0199670560 | ||
040 | _cCUS | ||
082 | 0 | 4 |
_a880.9 _bMAR/A |
100 | _aedited by Marmodoro, Anna and Hill, Jonathan | ||
245 | 0 | 4 |
_aThe author's voice in classical and late antiquity / _cedited by Anna Marmodoro and Jonathan Hill |
250 | _aFirst edition. | ||
260 |
_aNew York: _bOxford University Press, _c2013. |
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300 |
_axvii, 420 pages: _billustrations; _c22 cm. |
||
504 | _aIncludes bibliographical references and index. | ||
505 | _aI. AUTHORS AND THEIR MANIFESTATIONS 1.1 The third person 1. The poet in the Iliad Barbara Graziosi 2. Xenophon's and Caesar's third-person narratives—or are they? Christopher Felling 1.2 The dialogic voice 3. Listening to many voices: Athenian tragedy as popular art William Allan and Adrian Kelly 4. 'When I read my Cato, it is as if Cato speaks': the birth and evolution of Cicero's dialogic voice Sarah Culpepper Stroup 5. Author and speaker(s) in Horace's Satires 2 Stephen Harrison 1.3 The first person 6. 'I, Polybius': self-conscious didacticism? Georgina Longley 7. Drip-feed invective: Pliny, self-fashioning, and the Regulus letters Rhiannon Ash 8. An I for an I: reading fictional autobiography Tim Whitmarsh II. AUTHORS AND AUTHORITY 9. Ille ego qui quondam: on authorial (an)onymity Irene Peirano 10. Authorship and authority in Greek fictional letters A. D. Morrison 11. Plato's religious voice; Socrates as godsent, in Plato and the Platonists Michael Erler 12. When the dead speak: the refashioning of Ignatius of Antioch in the long recension of his letters Mark Edwards 13. Ars in their 'I's: authority and authorship in Graeco-Roman visual culture Michael Squire | ||
650 | 0 |
_aAuthorship _xHistory |
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650 | 0 |
_aGreek literature _xHistory and criticism. |
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650 | 0 |
_aLatin literature _xHistory and criticism. |
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942 | _cL2C2 |