000 | 05468cam a2200409 i 4500 | ||
---|---|---|---|
999 |
_c209539 _d209539 |
||
020 | _a9781501309441 (hardback) | ||
040 | _cCUS | ||
082 | 0 | 0 |
_a384.55506573 _bMCD/N |
245 | 0 | 4 |
_aThe netflix effect: technology and entertainment in the 21st century/ _cedited by Kevin McDonald and Daniel Smith-Rowsey. |
260 |
_aNew York: _bBloomsbury, _c2016. |
||
300 |
_axii, 255 p. _billustrations ; _c24 cm |
||
500 | _aIncludes index. | ||
505 | 8 | _aMachine generated contents note: -- Part I: Game-Changing Debates -- Chapter One - Netflix's Red Revolution (Cameron Lindsey, New York University, USA) -- Chapter Two - Disrupting Game-changers: Economic Adversaries and New Media Historiography (Gerald Sim, Florida Atlantic University, USA) -- Chapter Three - When Elephants Fight: Netflix, Net Neutrality, and the Public Interest (Lyell Davies, City University of New York, USA) -- Chapter Four - Smartest Guys in the Room: Framing Media Regulation through Netflix (Alison Novak, Temple University, USA) -- Part II: (Dis)Empowering Users -- Chapter Five - Netflix and the Myth of Choice/Participation/Autonomy (Sarah Arnold, Falmouth University, UK) -- Chapter Six - Imaginative Indices and Deceptive Domains: Examining Netflix's Categories and Genres (Daniel Smith-Rowsey, California State University Sacramento, USA) -- Chapter Seven - From Genres to Micro-Tags: Reverse-Engineering Cinematic Taste (Neta Alexander, New York University, USA) -- Chapter Eight - Netflix and the Documentary Boom (Sudeep Sharma, University of California, Los Angeles, USA) -- Part III: Binging Practices -- Chapter Nine - "Forward is the Battle Cry": Binge-Viewing Netflix's House of Cards (Casey McCormick, McGill University, Canada) -- Chapter Ten - Binge Watching "Noir" at Home: Reimagining Cinematic Reception and Distribution via Netflix (Sheri Chinen Biesen, Rowan University, USA) -- Chapter Eleven - The Cognitive Psychological Effects of Binge Watching: Is Netflix Ruining Viewer Empathy for Popular Television? (Zachary Snider, Bentley University, USA) -- Part IV: Facing the Future -- Chapter Twelve - Risk, Representation, and Netflix's Orange is the New Black (Brittany Farr, University of Southern California, USA) -- Chapter Thirteen - Invading Europe: Netflix's Expansion to the European Market, A German Case Study (Christian Stiegler, Karlschochschule International University, Germany) -- Chapter Fourteen - Streaming Trans-Atlantic: Netflix, Imported Drama and the British Digital Television Ecology (Sam Ward, University of Nottingham, UK) -- Chapter Fifteen - From Online Video Stores to Global Internet TV Networks: Netflix and the Future of Home Entertainment (Kevin McDonald, California State University, Northridge, USA) Bibliography -- Index. | |
650 | 0 |
_aVideo rental services _zUnited States _xHistory. |
|
650 | 0 |
_aInternet _xSocial aspects _zUnited States _xHistory. |
|
650 | 7 | _aSocial Science / Media Studies. | |
650 | 7 | _aComputers Digital Media / Video & Animation. | |
700 | 1 | _aMcDonald, Kevin, ed. | |
700 | 1 | _aSmith-Rowsey, Daniel, ed. | |
942 | _cWB16 |