| 000 | 01613cam a22004094a 4500 | ||
|---|---|---|---|
| 999 |
_c194780 _d194780 |
||
| 020 | _a0761944907 (hbk.) | ||
| 040 | _cCUS | ||
| 082 |
_a306.4842 _bMAR/B |
||
| 100 | 1 | _aMarshall, Lee. | |
| 245 | 1 | 0 |
_aBootlegging: romanticism and copyright in the music industry / _cLee Marshall. |
| 246 | 3 | 0 | _aRomanticism and copyright in the music industry |
| 260 |
_aLondon ; _aThousand Oaks, Calif. : _bSAGE Publications, _c2005. |
||
| 300 |
_aviii, 169 p. ; _c24 cm. |
||
| 504 | _aIncludes bibliographical references (p. [160]-167) and index. | ||
| 505 | _aLessons from HistoryCopyright and the Romantic AuthorRomanticism and Popular MusicRomanticism, Copyright and PiracyProblems and AlternativesIntroduction to BootleggingAn Overview of BootleggingThe Impact of Bootlegging upon the Record Industry and the Industry's ResponseThe Dialectic of Romanticism and the Symbolic Significance of Bootlegging | ||
| 650 | 0 |
_aSound recordings _xPirated editions. |
|
| 650 | 0 |
_aSound recordings _xPirated editions _xSocial aspects. |
|
| 650 | 0 |
_aCopyright _xMusic. |
|
| 650 | 0 |
_aCopyright _xMusic _xSocial aspects. |
|
| 650 | 0 | _aRomanticism. | |
| 942 | _cWB16 | ||