| 000 | 00350nam a2200109Ia 4500 | ||
|---|---|---|---|
| 999 |
_c192798 _d192798 |
||
| 020 | _a978-4-431-55423-3 | ||
| 040 | _cDepartment of Music | ||
| 100 | _aAndo | ||
| 245 | 0 | _aOpera House Acoustics Based on Subjective preference Theory/ | |
| 260 |
_aNew York: _bSpringer, |
||
| 505 | _a Introduction Analyses of Temporal Factors of a Source Signal Formulation and Simulation of the Sound Field in an Enclosure Model of Auditory-Brain System Temporal and Spatial Primary Percepts of the Sound and the Sound Field Theory of Subjective Preference of the Sound Field Examination of Subjective Preference Theory in an Existing Opera House Reverberance of the Sound Field Improvements in Subjective Preferences for Listeners and Performers Optimizing Room-Forms Visual Sensations on the Stage Blending with Opera and Music Design Theory of Opera House Stage Persisting Individual Creations | ||
| 856 | _uhttp://link.springer.com/openurl?genre=book&isbn=978-4-431-55422-6 | ||
| 942 | _cEBK | ||