| 000 | 00303nam a2200109Ia 4500 | ||
|---|---|---|---|
| 999 |
_c192786 _d192786 |
||
| 020 | _a978-1-137-49282-1 | ||
| 040 | _cDepartment of Music | ||
| 100 | _aMollaghan | ||
| 245 | 4 | _aThe Visual Music Film/ | |
| 260 |
_aNew York: _bSpringer, |
||
| 505 | _a Introduction Questions of Attribution and Contribution: What Constitutes a Visual Music Film? The Formal Absolute in the Visual Music Film The Spiritual Absolute in the Visual Music Film Experimentation and Technological Innovation Conceptions of Harmony in the Work of John Whitney Conclusion | ||
| 856 | _uhttps://link.springer.com/book/10.1057/9781137492821 | ||
| 942 | _cEBK | ||