| 000 | 00334nam a2200109Ia 4500 | ||
|---|---|---|---|
| 999 |
_c192783 _d192783 |
||
| 020 | _a978-1-137-52661-8 | ||
| 040 | _cDepartment of Music | ||
| 100 | _aMcKenna | ||
| 245 | 0 | _aArt, Literature and Culture from a Marxist Perspective/ | |
| 260 |
_aNew York: _bSpringer, |
||
| 505 | _a Tony McKenna Breaking Bad: Capital as Cancer In Time : The First Hollywood Movie of the Occupy Wall Street Era The Walking Dead: The Archetype of the Zombie in the Modern Epoch Let Me In: The Figure of the Vampire as Kantian Noumenal True Detective and Capitalist Development in Its Twilight Phase Tupac Shakur: History’s Poet Vincent van Gogh The Song of Achilles: How the Future Transforms the Past Barbara Kingsolver’s The Lacuna and the Nature of the Historical Novel Balzac’s Women and the Impossibility of Redemption in Cousin Bette The Wife : A Study in Patriarchy The Vigilante in Film: The Movement from Death Wish, to Batman, to Taxi Driver A Mirror into Our World: The Radical Politics of Game of Thrones Harry Potter and the Modern Age The Hunger Games Trilogy—Art for the Occupy Era The Politics of Deduction: Why Has Sherlock Holmes Proven So Durable? Literary Love as Kantian Sublime: Wuthering Heights and The Sea, The Sea Brief Loves That Live Forever: The Historical Melancholy of Andreï Makine | ||
| 856 | _uhttps://link.springer.com/book/10.1057/9781137526618 | ||
| 942 | _cEBK | ||