000			01697nam a2200121Ia 4500
999			_c190292 _d190292
020			_a9781138779341
040			_cCUS
082			_a791.430955 _bDEC/I
245		0	_aIranian cinema in a global context: policy, politics and form/ _cedited by Peter Decherney
260			_aNew York: _bRoutledge, _c2015.
300			_a257 p.
505			_a1 Introduction BLAKE ATWOOD AND PETER DECHERNEY PARTI Essays 2 Iranian Film Policy in a Global Context AGNES DEVICTOR 3 Re/Form: New Forms in Cinema and Media in Post- Khatami Iran BLAKE ATWOOD 4 From Theater to Cinema and Vice-Versa: Socio-Political and Economic Reasons for Professional Circulation UUANE ANJO 5 The Iranian Shylock: Jewish Representation in Iranian Film ORLY RAHIMIYAN 6 A Grave State: Rahkshan Bani-Etemad's Mainline ROXANNEVARZI 7 Through the Looking Glass: Reflexive Cinema and Society in Post-Revolution Iran NORMA CLAIRE MORUZZI 8 The Rise of "Youth Pop" Films in Contemporary Iran NEGARRAZAVI 9 Iranian Documentary Filmmakers Association and the Fight for the House of Cinema PERSHENG SADEGH-VAZIRl PARTII Short Takes 10 Notes on the.Reception of Iranian Films in Brazil FERDINANDO MARTINS AND DANIEL MARCOLINO CLAUDINO DE SOUSA 11 Pomegranates and Cinema: Some Observations on a Decade or So of Selecting and Screening Iranian Films ANNE DEMY-GEROE 12 Who Are They?: Introducing American Students to Iran through Mohammad Shirvani's Short Film, The Candidate JOHN LIMBERT 13 The Haunting Obituary of a Dying Patriarch: A Separation FARZANEH MILANI 14 The Contested Social Spaces of Film Practices Since 2009 in Iran MAZYAR LOTFALIAN 15 Underground Cinema in Iran PARVIZJAHED 16 Censorship in Iranian Cinema ASL19
942			_cWB16