000			00402nam a2200145Ia 4500
999			_c178037 _d178037
020			_a0754626644
040			_cCUS
082			_a781.11 _bKRA/C
245		0	_aCritical Musicology and the Responsibility of Response:/ _bSelected Essays _cKramer,Lawrence
250			_a0
260			_aEngland: _bAshgate Pub Co, _c2007.
300			_a322
505			_aContents: Introduction; Selected bibliography; Tropes and windows: an outline of musical hermaneutics (1990); Decadence and desire: the 'Wilhelm Meister' songs of Wolf and Schubert; Dangerous Liaisons: the literary text in musical criticism; Music criticism and the postmodern turn: in contrary motion with Gary Tomlinson; Charging the Canons; The strange case of Beethoven's 'Coriolan' : romantic aesthetics, modern subjectivity, and the cult of Shakespeare; The harem threshold: Turkish music and Greek love in Beethoven's 'Ode to Joy'; Primitive encounters: Beethoven's 'Tempest' sonata, musical meaning, and enlightenment anthropology; Tolstoy's Beethoven, Beethoven's Tolstoy: the Kreutzer sonata; Like falling leaves: the erotics of mourning in four drum taps settings; Chopin at the funeral: episodes in the history of modern death; Recognizing Schubert: musical subjectivity, cultural change and Jane Campion's The Portrait of a Lady; Haydn's chaos, Schenker's order; or, musical meaning and musical analysis: can they mix? ; ); Speaking melody, melodic speech; 'Longindying Call': of music, modernity, and the Sirens 'Au-delA d'une musique informelle': nostalgia, obsolescence, and the avant-garde; Index.
942			_cWB16