| 000 | 00360nam a2200145Ia 4500 | ||
|---|---|---|---|
| 999 |
_c177529 _d177529 |
||
| 020 | _a9781446209257 | ||
| 040 | _cCUS | ||
| 082 |
_a306 _bHES/C |
||
| 245 | 4 |
_aThe Cultural Industries/ _cHesmondhalgh, David |
|
| 250 | _a3rd ed. | ||
| 260 |
_aLondon: _bSAGE, _c2013. |
||
| 300 | _axvi, 456 p. | ||
| 505 | _aIntroduction: Change and Continuity, Power and Creativity PART ONE: ANALYTICAL FRAME WORKS Theories of Culture, Theories of Cultural Production Cultural Industries in the Twentieth Century: The Key Features Why the Cultural Industries Began to Change in the 1980s PART TWO: POLICY CHANGE Marketization in Telecommunications and Broadcasting Further Changes in Policy: Copyright and the Cult of Creativity PART THREE: CHANGE AND CONTINUITY IN THE CULTURAL INDUSTRIES, 1980 TO 2012 Ownership, Structure and Size Creativity and Commerce, Organization and Labour Internationalism: Neither Globalisation Nor Cultural Imperialism Digitalisation and the Internet The Impact of the Internet and Digitalisation on Existing Cultural Industries Texts: Diversity, Quality and Social Justice Conclusions: A New Era in Cultural Production?Glossary | ||
| 942 | _cWB16 | ||