000			00402nam a2200145Ia 4500
999			_c176698 _d176698
020			_a0942299353
040			_cCUS
082			_a128 _bSCH/C
245		4	_aThe Culture of the Copy/ _bStriking Likenesses, Unreasonable Facsimilies _cSchwartz,Hillel
250			_aFirst ed.
260			_aNew york: _bZone Books, _c1996.
300			_a565
505			_aI Vanishing Twins 19 Identical twins are creatures ol a terrible ambiguity, lor they com promise the values we place upon the individual even as they promise what we so desperatelv want: laithful companionship, mutual understanding. I he vanishing twin is our solution and absolution. I! Doppelgiingers 49 Siamesed twins are our horror stories, in bondage to likeness; thev remind us ol tatelul Doppelgiingers Irom whom we can never be separated till death do us part. We minister to these doubles In Irving to restore singidaritv, the wholeness that is dillerence. III Self-portraits 89 Yet our hunger for likeness, driven by an economic system, a social fabric, and sets of technologies which profit by making the similar seem remarkable, leads us to ever-more sophisticated semblances which we are hard pressed to distinguish one from the other. IV Second Nature 143 Nor are we now so clear about the boundaries between ourselves and the rest of the animal world, especially where those animals who speak our speeches and act our acts appear to take on the best or most striking of human qualities. V Seeing Double 175 Where, then, are our own skills at disguise, decoy, and deception leading us? VI Ditto 211 Toward anticipations that the copy will transcend the original VII Once More, with Feeling 259 and toward a faith in rccnactnicnt and replication as means to arrive at the truth. VIII Discernment 321 in consequence, we confront on every hori/on problems of duplicity and virtuality, which must be resolved before we can reclaim or re-create a persuasive notion of authenticity.
942			_cAC8