000			01290pam a2200325 a 4500
999			_c165486 _d165486
020			_a1859730418
020			_a0854968776
040			_cCUS
082	0	0	_a780 _bSTO/E
245	0	0	_aEthnicity, identity, and music: the musical construction of place/ _cedited by Martin Stokes.
260			_aOxford, UK ; _aProvidence, RI : _bBerg, _c1994.
300			_ax, 212 p. ; _c23 cm.
504			_aIncludes bibliographical references and index.
505			_aM. Stokes, Introduction: Ethnicity, Identity and Music - M. Chapman, Thoughts on Celtic Music - J. Baily, The Role of Music in the Creation of an Afghan National Identity, 1923-73 - Z. Mach, National Anthems: The Case of Chopin as a National Composer - S. A. Reily, Macunaima's Music: National Identity and Ethnomusicological Research in Brazil - M. Stokes, Place, Exchange and Meaning: Black Sea Musicians in the West Coast of Ireland - S. Cohen, Identity, Place and the 'Liverpool Sound' - F. Magowan, 'The Land is our M‰rr (Essence); It Stays Forever': The Yothu-Yindi Relationship in Australian Aboriginal Traditional and Popular Musics - P. Parkes, Personal and Collective Identity in Kalasha Song Performance: The Significance of Music-making in a Minority Enclave - H. La Rue, Music, Literature and Etiquette: Musical Instruments and Social Identity from Castiglione to Austen
650		0	_aMusic and anthropology.
650		0	_aEthnomusicology.
650		0	_aEthnicity in music.
650		0	_aIdentity (Philosophical concept)
700	1		_aStokes, Martin. ed.
942			_cWB16