000 00444nam a2200145Ia 4500
999 _c164494
_d164494
020 _a9780226874654
040 _cCUS
082 _a781.6309669
_bWAT/J
100 _aWaterman, Christopher Alan,
245 0 _aJuju: a social history and ethnography of an African popular music/
_cChristopher Alan Waterman.
260 _aChicago:
_bUniversity of Chicago Press,
_c1990.
300 _axii, 277 p., [14] p. of plates:
_bill., maps (some col.) ;
_c24 cm.
505 _a1. Introduction 2. Sakara, Asíko, Highlife, and Palmwine: Lagosian Popular Music between the World Wars 3. Early Jùjú Music (1932-1948) 4. The Development of Modern Juju (1948-1982) 5. The Social Organization and Contexts of Juju Performance in Ibadan 6. The Aesthetics and Social Dynamics of Juju Performance at the Yoruba aríya 7. Juju Music and Inequality in Modern Yoruba Society
650 _aJuju music
_xNigeria
_zNigeria
_zIbadan
650 _aYoruba (African people)
_xMusic
_xHistory and criticism.
942 _cWB16