000 | 00384nam a2200145Ia 4500 | ||
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_c162855 _d162855 |
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020 | _a9780195119275 | ||
040 | _cCUS | ||
082 |
_a791.450973 _bNEW/T |
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245 | 0 |
_aTelevision: the critical view/ _cedited by Horace Newcomb |
|
250 | _a6th ed. | ||
260 |
_aNew York: _bOxford University Press, _c2000. |
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300 |
_axiv-721 p. _c24 cm |
||
505 | _aContents Preface to the Sixth Edition, xi Preface to the First Edition, xiii HORACE NEWCOMB Television and the Present Climate of Criticism, 1 Part I The Production Contexts of Television, 13 CHRISTOPHER ANDERSON Disneyland, 17 MARK ALVEY The Independents: Rethinking the Television Studio System, 34 PHIL WILLIAMS Feeding Off the Past: The Evolution of the Television Rerun, 52 LYNN SPIGEL Women's Work, 73 vit i 'Oiltctits JULIE D'ACCI Women Characters and "Real World" Heniininit\100 JACKIE BYARS and EILEEN R. MEEHAN Once in a Lifetime: Constructing "The Working Woman" through Cable Narrowcasting, 144 DAVID BARKER lelevision Production lechniques as C'ommunication, 169 HAL HIMMELSTEIN Kodak's "America": Images from the American Hden, 183 JOHN CORNER C:ivic Visions: Forms of Documentan', 207 Part II Television Texts, 237 CHARLES McGRATH The Triumph of the Prime-Time Novel, 242 ADRIENNE L. McLEAN Media Effects: Marshall McLuhan, Television Culture, and "The X-Files," 253 MILLY BUONANNO II Maresciallo Rocca: The Italian Way to the TV Police Series, 266 HERMAN GRAY The Politics ofRepresentation in Network Television, 282 PAT KIRKHAM and BEVERLEY SKEGGS Absolutely Fabulous: Absolutely Feminist?, 306 DOUGLAS KELLNER Beavts and Butt-Head: No Future for Postmodern Youth, 319 AMERICA RODRIGUEZ Objectivity and Ethnicity in the Production of the Noticiero Univision, 330 BERNARD TIMBERG The Unspoken Rules of Television Talk, 354 Contents MICHAEL SKOVMAND Barbarous TV International: Syndicated Wheels of Forttnte, 367 IB BONDEBJERG Public Discourse/Private Fascination: Hybridization in "True-Life-Stor\'" Genres, 383 DANIEL DAYAN and ELIHU KATZ Defining Media f:vents: High Holidays of Mass Communication, 401 Part III The Reception Contexts of Television, 421 JOSHUA MEYROWITZ Multiple Media Literacies, 425 JUSTIN LEWIS and SUT JHALLY The Struggle Over Media Literacy, 439 ANNA McCarthy "The Front Row Is Reser\'ed for Scotch Drinkers": Early Television's Tavern Audience, 451 HENRY JENKINS III Star Trek Rerun, Reread, Rewritten: Fan Writing as Textual Poaching, 470 ELLEN SEITER Making Distinctions in TV Audience Research. Case Study of a Troubling Interview, 495 JOSTEIN GRIPSRUD "The Cultural Debate of the Ages": History, Culture, and Media Politics in Public Reception, 519 Part IV Overviews, 557 HORACE NEWCOMB and PAUL M. HIRSCH Television as a Cultural Forum, 561 TODD GITLIN Prime Time Ideology: The Hegemonic Process in Television Entertainment, 574 .V Contents DAVID THORBURN Television Melodrama, S95 CHARLOTTE BRUNSDON What Ts the " Television" of Television Studies?, 609 DAVID MARC What Was Rroadcasting?, 629 JOHN THORNTON CALDWELL Hxcessi\e Style: The Oisis of Network Televisit^n, 649 JAMES HAY Invisible (Jties/Msible CJeographies: 'Toward a C'ultural Geography of Italian Television in the 1990s, 687 ERIC MICHAELS For a (Ailtural Future, 701 About the Authors, 717 | ||
650 | _aTelevision broadcasting | ||
650 | _aUnited States | ||
650 | _aTelevision criticism | ||
700 | _aNewcomb, Horace | ||
942 | _cWB16 |