000			00388nam a2200157Ia 4500
999			_c160395 _d160395
020			_a9780865547315
040			_cCUS
082			_a198.9 _bLOR/K
100			_aLorentzon, Jamie
245		0	_aKierkegaard's metaphors /
250			_a1st.ed.
260			_aMacon: _bMercer University Press, _c2001.
300			_a201 p.
440			_aInternational Kierkegaard commentary
505			_aIntroduction. A Truer Impression: Kierkegaard's Metaphors A. Prologue. Two Views of One Caricature, B. A Truer Impression, C. Framing the Abstract in Concrete Terms, D. The Poet-Philosopher, 1. Deceiving into the Truth: Metaphor and Indirect Communication (the Maieutic) A. Kierkegaard's Early Thoughts on Metaphor, B. .The Pseudonyms: Metaphoric Thought-Experiments, Godly Satires, and Structuring a Maieutic Authorship in a World of Direct Commvmication, C. "The Fork," D. Language's Inadequacies, Existentialist Writing, and Becoming a Human through a Persona, E. Language Decay, Ambiguities, Opposition, and the Need for Passionate Tension, 2. Concealing Collisions of the Self: The Esthetic Poetization of Metaphor A. Reasons for Esthetic Hiddenness, B. Sources of Esthetic Hiddenness: the Romantic Tradition, C. Becoming Entangled in Metaphor and Acting Fatally, 3. Disclosing Collisions of the Self: The Ethical Analysis of Metaphor A. From Concealment to Disclosure, B. Practicing What You Preach; Ethical Actuality's Terrifying, Matter-of-Fact Task, C. "You Are the One,' 4. Enacting Collisions of the Self: The Religious Literalization of Metaphor A. Kierkegaard's "Concept" of Metaphor, Interlude: The Coming into Existence of Metaphor, B. Rejecting or Annulling Metaphor to Embrace It Existentially, C. Enacting and Literalizing Metaphor through Imitation, Suffering, and Atonement D. The Woman Who Was a Sinner, E. Epilogue: Metaphor and Dying to the World,
942			_cWB16