000 00348nam a2200133Ia 4500
999 _c146418
_d146418
040 _cCUS
082 _a230
_bNIC/R
100 _a Aidan, Nichols
245 0 _aRedeeming beauty: sounding in sacral aesthetics/
_cNichols, Aidan
250 _a1st ed.
260 _aEngland:
_bAbingdon, Oxon : Routledge, an imprint of the Taylor & Francis Group,
_c2016..
300 _a153 p.
505 _aPART 1 Foundations, in Creation and Grace 1 Aesthetics in Augustine and Aquinas Introduction , Conclusion 2 • The Origin and Crisis of Christian Art Introduction Iconography and the Bible Christian iconography in the early patristic age The crisis of early Christian art Ecumenical resolution: Nicaea II and the reception of its dogmatic definition Conclusion PART 2 Twentieth-Century Theologians of the Image 3 Hans Urs von Balthasar on Art as Redemptive Beauty Introduction A theology of beauty A theology of the image of God in man A theology of the saving Incarnation as centre of the revelation images must serve A philosophy of the image at large A Neo-Iconophile theology of the artist The content of Christian art 4 Sergei Bulgakov on the Art of the Icon Introduction Attitude to Nicaea II and the Iconophile doctors A theology of beauty A theology of the image of God in man A theology of the saving Incarnation A philosophy of the image at large A Neo-Iconophile theology of the icon The content of iconography Coda: icon and blessing Benedict XVI on Holy Images Introduction The Christological perspective The liturgiological perspective Conclusion PART 3 The Difficulties of Practice 6 The French Dominicans and the Journal L 'Art sacre The project The protagonists The context The establishment of L 'Art sacre Policy or policies of the Dominicans of 'L'Art sacre' A caveat 'La querelle de Part sacre' Conclusion 7 The English Uses of Maritain's Aesthetics: Eric Gill and David Jones The virtue of art Maritainian craftsman extraordinary: Eric Gill The nature of beauty David Jones: Maritainian artist of the sign 8 Conclusion: Christ and the Muses
650 _aAesthetics -
650 _a Religious aspects
650 _aChristianity.
942 _cWB16