000 | 00367nam a2200145Ia 4500 | ||
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999 |
_c146001 _d146001 |
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020 | _a9781412901512 (4v. set) | ||
040 | _cCUS | ||
082 |
_a300.72 _bHAM/V |
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245 | 0 |
_aVisual research methods. Vol. 3/ _cedited by Peter Hamilton |
|
260 |
_aLondon: _bSAGE Publications, _c2006. |
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300 | _a412 p. | ||
505 | _aPart Three: Visual Technologies The Decisive Moment/ H Cartier-Bresson -- The Medium Is the Massage/ M McLuhan -- Picture Frames/ E Goffman -- Seeing Through Pictures: The Anthropology of Photography/ J Ruby The Visual Ethnographic Narrative/ D Harper -- On the Museum's Ruins/ Douglas Crimp -- Baudrillard, Barthes, Burroughs, and 'Absolute' Photography/ N Zurburgg -- Three-Dimensional Visual Data: Settings, Objects and Traces/ M Emmison and P Smith -- Stored Virtue: Memory Body and the Evolutionary Museum/ T Bennette -- Representing Representations: The Ethics of Filming at Ground Zero/ V M Davidov -- Art and Allusion: The Significance of Two Portraits of Hume and Rousseau/ N Warburton -- Cultural Studies and the photograph/ D Harper -- "The Tyranny of Organization": Towards a Natural History of Crime/ N Davie -- Visualizing Ethnography: Transforming the Anthropological Vision/ S Pink -- Visual Anthropology is Not Ethnographic Film: The Visual as Material Culture/ M Banks -- Reading an Archive: Photography Between Labour and Capital/ A Sekula -- Introduction to Working Knowledge/ D Harper -- A Seventh man/ J berger & J Mohr -- Visual Anthropology/ J Ruby -- The Visual Substance of Social Research/ J Wagner | ||
700 | _aHamilton, Peter, ed. | ||
942 | _cBOOKS |