000 | 00367nam a2200145Ia 4500 | ||
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999 |
_c146000 _d146000 |
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020 | _a9781412901512 (4v. set) | ||
040 | _cCUS | ||
082 |
_a300.72 _bHAM/V |
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245 | 0 |
_aVisual research methods. Vol. 2/ _cedited by Peter Hamilton |
|
260 |
_aLondon: _bSAGE Publications, _c2006. |
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300 | _a412 p. | ||
505 | _aPart Two : The Objective of the Visual (Continued from V.1) Roland Barthes on the Aesthetics of Photography/ D Jacquette -- Desire in Art and Politics: The Theories of Jean-Francois Lyotard/ M Turim -- The Invisible Flaneuse: Women and Literature of Modernity/ J Wolff -- In the Empire of the Gaze: Foucault and the Denigration of Vision in Twentieth-century French Thought/ M Jay-- Varieties of Photographic Representation: Documentary, Pictorial and Quasi-Documentary/ N. Warburton -- Tell the Truth: Codes of Objectivity in Photojournalism/ D Schwartz -- The Centrality of the Eye in Western Culture: An Introduction/ C Jenks -- Shadow Catchers or Shadow Snatchers? Ethical Issues for Photographers of Contemporary Native Americans/ L P Brumbaugh -- Deceptive Images: The Social Sciences and the Puzzle of Moving Pictures/ P Sorlin -- Bialowieza Forest, Poland: Representation, Myth, and the Politics of Dispossession/ Stuart Franklin -- Autonomy and Anti-art: Adorno's Concept of Avant-garde Art/ S Martin -- Photography and the Performance of History/ E Edwards -- The Darker Side of Visual Research/ J Proser -- Snapshots "R" Us: The Evidentiary Problematic of Home Media/ R Chalfen -- Telling Stories About Photography: The Language and Imagery of Class in the Work of Humphrey Spender and Paul Reas/ D Newbury -- Visual Sociology, Documentary Photography, and Photojournalism: It's (Almost) All a Matter of Context/ H S Becker -- The Objectivity of Artistic Values/ R Boudon -- Filmed Science in Search of a Form: Contested Discourses in Anthropological and Sociological Film-Making/ L Pauwels -- The Visual Construction of Secondary Witness: Three Case Studies from Television/ J Corner | ||
700 | _aHamilton, Peter, ed. | ||
942 | _cBOOKS |