A socio-political history of Marathi theatre: thirty nights/ Makarand Sathe

By:

Sathe, Makarand

Material type:

TextPublication details: New Delhi: Oxford University Press, 2015.Description: 3 v. : ill. ; 23 cmISBN:

0199457255
9780199457250

Subject(s):

DDC classification:

891.462 SAT/S

Contents:

Introduction by Kumar Ketkar Night One Prologue: It So Happened -- Introduction: First Period, 1843 to 1880 -- First Plays (A), Mythological: Vishnudas Bhav / Sita Swayamvar -- First Plays (B): Mahatma Jyotiba Phule /Truteeya Ratna -- First Plays (C), Bookish /Historical: V.J. Kirtant / Thorale Madhavrao Peshawe Night Two Initial Social Plays: Raghunath Shankarshastri Abhyankar / Prahodh Vidyut arthat Swair Sakesha -- M.B. Chitale / Manorama Natak -- First (Translated) Political Play: Deenabandhii Mitra / Nee/ Darpan (Translated by Vitthal Moro Walwekar) Night Three An Introduction to Farce -- N.H. Bhagwat / Mor L.L.B. Prahasan -- Epilogue: First Period, 1843 to 1880 Night Four Introduction: Second Period, 1880 to 1930 -- Beginning of Musicals / Sangeet Rangabhoomi : Annasaheb -- Kirloskar—Sangeet Shaknntal and Sangeet Saubhadra -- Early Orthodox, Cultural Nationalist Prose Plays: N.B. Kanitkar / Taruni Shikshan Natika and Sammativayacha Kayada -- Reformist Social Plays: Govind Ballal Deval / Sangeet Sharada Night Five Beginning of Political Plays: Shankar Moro Ranade / Adhikardan Vivechana athava Sthanik Swarajya Vataghat -- W.R. Shirvalkar / Rana Bhimdev athava Khara Rajput and B.H. Patwardhan / Ranasimha aani Bakula athava Prachin Rajyakrantiche Chitra -- Tilak and Marathi Theatre Night Six Political Plays of the Second Period: An Introduction to K.P. Khadilkar -- K.P. Khadilkarc / Sawai Madhavrao Yancha Mrityu, Kichakavadh, and Bhaubandaki -- Cultural Nationalist Plays of the Second Period: D.V Nevalkar / Sagrasangeet Tarakmarak Natak, Sangeet Dandadhari Natak, and Dharmarahasya athava Antyajoddar Night Seven Second Phase of Khadilkar's Plays: Sangeet Manapman, Sangeet Draupadi, and Sangeet Menaka -- Colonial Censorship and Response Given by Theatre -- Melas and Satyashodhaki Jalsas -- Some More Socio-political Plays and Discussion of Historical Plays: N.C. Kelkar / Totayache Band, Govindrao Tembe—Sangeet Pat-vardhan Natak, and K.H. Dixit—Raja Satvadhir -- Night Eight Start of Experimental Theater: R.C. Gadkari / Sangeet -- Preniasanxas, Sangeet Ekaeh Pyala, and Sangeet Mookanayaka -- Diwakar / Mag to Diwa Konta? -- Theater before 1930: Women and Female lmpersonators Night Nine The Playwright Who Started Many Socio-political 'Trends: B.V. Warerkar—Kunjavihari -- B.V. Warerkar / Hach Mulacha Baap, Sanyashacha Sansar, Satteche Gulam, and Turungachya Darat Night Ten Plays in Fav our of Armed Revolt and a Different Kind of Social Reform: V.D. Savarkar / Sangeet Ushshyap, Sangeet -- Sanyasta Khadga, and Sangeet Uttarkriya -- Plays Dealing with Religious Tensions and Conversions: Shri Shankaracharya Kurtakoti—Gangasammati athava Hidukaran Manyata and D.G. Sarolkar / Sangeet Janatajanardan Night Eleven Initial Leftist Plays/Plays about Labour: B.V. Warerkar / Sonyacha Kalas, M.N. Joshi—Sangeet Giraniwala, and Ganeshshastri Phatak—Mazi Jamin -- Changes in Political Theatre after 1920: M.N. Joshi / Sangeet Sthanik Swarajya arthat Municipality, V.S. Khandekar / Rankache Rajya, and PK. Atre / Me Ubha Aahe Night Twelve Some Other Socio-political Currents (A): K.H. Dixit / Sundennath, V.H. Aundhkar / Bebandshahi and Agryahun Sutaka, Different Representation of Gandhism: Y.N. Tipnis / Rajranjan, and Remembering Tilak: B.N. Pande—Sangeet Punaragaman -- Some Other Socio-political Currents (B): Vasudevshastri Khare—Ugramangal, G.V Shetye / Rakshabandhan, and Vaman Gopal Joshi's Discussion Plays / Dharmasinhasan and Ranadumdubhi -- Epilogue: Second Period, 1880 to 1930 Night Thirteen Introduction; Third Period, Next Pliase of Modernity and Professionalism: S.V. Vartak / Andhalyanchi Shala -- Next Phase of Bahujan Theater; A Fresh Breath of freedom, Anibedkari Jalsas -- Middle-class Escapist Theatre: N.S. Phadke / Yugantar Night Fourteen A Different Current about Caste Reality: Prabodhankar Keshav Seetaram Thackeray / Taklela Por and Khara Brahman -- V.V Shirwadkar / Peshawa -- Political Plays after 1930 : D.N. Shikhare / Aath Sal, G.K. Bodas / Pujya Gandhiji, and an Important Gandhian play G.Y. Chitnis—Nava Paeek Night Fifteen Plays on Women's Issues after 1930: K.P. Khadilkar /Band and P.K. Atre / Gharabaher and Jag Kay Mliajiel -- M.G. Rangnekar / Kulwadhu and One Remarkable Feminist play Mama Warerekar / Bhoomikanya Sita -- Epilogue: Third Period, 1930 to 1955

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Cover image	Item type	Current library	Home library	Collection	Shelving location	Call number	Materials specified	Vol info	URL	Copy number	Status	Notes	Date due	Barcode	Item holds	Item hold queue priority	Course reserves
	Reference Books	Central Library, Sikkim University Reference		Reference Collection		891.462 SAT/S (Browse shelf(Opens below))					Not For Loan			P43342

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Includes bibliographical references and index.

Introduction by Kumar Ketkar

Night One
Prologue: It So Happened -- Introduction: First Period, 1843 to 1880 -- First Plays (A), Mythological: Vishnudas Bhav / Sita Swayamvar -- First Plays (B): Mahatma Jyotiba Phule /Truteeya Ratna -- First Plays (C), Bookish /Historical: V.J. Kirtant / Thorale Madhavrao Peshawe

Night Two
Initial Social Plays: Raghunath Shankarshastri Abhyankar / Prahodh Vidyut arthat Swair Sakesha -- M.B. Chitale / Manorama Natak -- First (Translated) Political Play: Deenabandhii Mitra / Nee/ Darpan (Translated by Vitthal Moro Walwekar)

Night Three
An Introduction to Farce -- N.H. Bhagwat / Mor L.L.B. Prahasan -- Epilogue: First Period, 1843 to 1880

Night Four
Introduction: Second Period, 1880 to 1930 -- Beginning of Musicals / Sangeet Rangabhoomi : Annasaheb -- Kirloskar—Sangeet Shaknntal and Sangeet Saubhadra -- Early Orthodox, Cultural Nationalist Prose Plays: N.B. Kanitkar / Taruni Shikshan Natika and Sammativayacha Kayada -- Reformist Social Plays: Govind Ballal Deval / Sangeet Sharada

Night Five
Beginning of Political Plays: Shankar Moro Ranade / Adhikardan Vivechana athava Sthanik Swarajya Vataghat -- W.R. Shirvalkar / Rana Bhimdev athava Khara Rajput and B.H. Patwardhan / Ranasimha aani Bakula athava Prachin Rajyakrantiche Chitra -- Tilak and Marathi Theatre

Night Six
Political Plays of the Second Period: An Introduction to K.P. Khadilkar -- K.P. Khadilkarc / Sawai Madhavrao Yancha Mrityu, Kichakavadh, and Bhaubandaki -- Cultural Nationalist Plays of the Second Period: D.V Nevalkar / Sagrasangeet Tarakmarak Natak, Sangeet Dandadhari Natak, and Dharmarahasya athava Antyajoddar

Night Seven
Second Phase of Khadilkar's Plays: Sangeet Manapman, Sangeet Draupadi, and Sangeet Menaka -- Colonial Censorship and Response Given by Theatre -- Melas and Satyashodhaki Jalsas -- Some More Socio-political Plays and Discussion of Historical Plays: N.C. Kelkar / Totayache Band, Govindrao
Tembe—Sangeet Pat-vardhan Natak, and K.H. Dixit—Raja Satvadhir --

Night Eight
Start of Experimental Theater: R.C. Gadkari / Sangeet -- Preniasanxas, Sangeet Ekaeh Pyala, and Sangeet Mookanayaka -- Diwakar / Mag to Diwa Konta? -- Theater before 1930: Women and Female lmpersonators

Night Nine
The Playwright Who Started Many Socio-political 'Trends: B.V. Warerkar—Kunjavihari -- B.V. Warerkar / Hach Mulacha Baap, Sanyashacha Sansar, Satteche Gulam, and Turungachya Darat

Night Ten
Plays in Fav our of Armed Revolt and a Different Kind of Social Reform: V.D. Savarkar / Sangeet Ushshyap, Sangeet -- Sanyasta Khadga, and Sangeet Uttarkriya -- Plays Dealing with Religious Tensions and Conversions: Shri Shankaracharya Kurtakoti—Gangasammati athava Hidukaran Manyata and D.G. Sarolkar / Sangeet Janatajanardan

Night Eleven
Initial Leftist Plays/Plays about Labour: B.V. Warerkar / Sonyacha Kalas, M.N. Joshi—Sangeet Giraniwala, and Ganeshshastri Phatak—Mazi Jamin -- Changes in Political Theatre after 1920: M.N. Joshi / Sangeet Sthanik Swarajya arthat Municipality, V.S. Khandekar / Rankache Rajya, and PK. Atre / Me Ubha Aahe

Night Twelve
Some Other Socio-political Currents (A): K.H. Dixit / Sundennath, V.H. Aundhkar / Bebandshahi and Agryahun Sutaka, Different Representation of Gandhism: Y.N. Tipnis / Rajranjan, and Remembering Tilak: B.N. Pande—Sangeet Punaragaman -- Some Other Socio-political Currents (B): Vasudevshastri
Khare—Ugramangal, G.V Shetye / Rakshabandhan, and Vaman Gopal Joshi's Discussion Plays / Dharmasinhasan and Ranadumdubhi -- Epilogue: Second Period, 1880 to 1930

Night Thirteen
Introduction; Third Period, Next Pliase of Modernity and Professionalism: S.V. Vartak / Andhalyanchi Shala -- Next Phase of Bahujan Theater; A Fresh Breath of freedom, Anibedkari Jalsas -- Middle-class Escapist Theatre: N.S. Phadke / Yugantar

Night Fourteen
A Different Current about Caste Reality: Prabodhankar Keshav Seetaram Thackeray / Taklela Por and Khara Brahman -- V.V Shirwadkar / Peshawa -- Political Plays after 1930 : D.N. Shikhare / Aath Sal,
G.K. Bodas / Pujya Gandhiji, and an Important Gandhian play G.Y. Chitnis—Nava Paeek

Night Fifteen
Plays on Women's Issues after 1930: K.P. Khadilkar /Band and P.K. Atre / Gharabaher and Jag Kay Mliajiel -- M.G. Rangnekar / Kulwadhu and One Remarkable Feminist play Mama Warerekar / Bhoomikanya Sita -- Epilogue: Third Period, 1930 to 1955

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