Indian cinema in the time of celluloid: from Bollywood to the Emergency / Ashish Rajadhyaksha
Material type: TextPublication details: Bloomington, Ind.: Chesham: Indiana University Press; Combined Academic [distributor], 2009Description: x, 441 p.: ill.; 24 cmISBN: 9780253352682 (hbk.); 0253352681 (hbk.); 9780253220486 (pbk.); 0253220483 (pbk.)Other title: From Bollywood to the Emergency [Portion of title]Subject(s): Motion pictures -- Political aspects -- India | Motion pictures -- Social aspects -- India | Motion pictures -- India -- History | Socialism and motion pictures -- IndiaDDC classification: 971.4354Item type | Current library | Call number | Status | Date due | Barcode | Item holds |
---|---|---|---|---|---|---|
General Books | Central Library, Sikkim University General Book Section | 971.4354 RAJ/I (Browse shelf(Opens below)) | Available | P10521 |
Includes bibliographical references (p. [401]-427) and index.
THE ARGUMENT
0 A Theory of Cinema that Can Account for Indian Cinema
THE EVIDENCE
’Bollywood’ and the Performing Citizen
1 ’Bollywood’ 2004: The Globalized Freak Show of
What Used to Be Cinema
2 When Was Bollywood?: Textual and Historical Discrepancies
3 The Cinema-Effect 1: Cultural Rights versus the Production of Authenticity
4 The Cinema-Effect 2: Social Lineages, Spectatorial Ability
The Cinema-Effect and the State
5 Administering the Symbols of Authenticity Production, and Revisiting a 1990s Controversy
6 ’You Can See without Looking’: The Cinematic ’Author’ and Freedom of Expression in Cinema
7 ’People-Nation’ and Spectatorial Rights: The Political
’Authenticity-Effect’, the Shiv Sena and a Very Bombay History
1970s Questions: The ’Cinema-Effect’,
the National-Symbolic and the Avant Garde
8 The Detour of the Nation:
Realist Complicities, Nationalist Excesses
9 The Indian Emergency: Aesthetics of State Control
10 The Problem: A ’Co-production of Modernities’
11 The Mechanism: ’Taking’ the Shot
The Practice: Two Films and a Painting
12 Bhupen Khakhar’s List: Revisiting View from the Teashop
13 Mani Kaul and the ’Cinematic Object’: Uski Roti
and the Rulebook of Cinema
14 Gautam Chose’s Maabhoomi: Territorial Realism and
the ’Narrator’
15 The Cinema-Effect: A Concluding Note
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