Filming horror: Hindi cinema, ghosts and ideologies/
Meraj Ahmed Mubarki
- SAGE, 2016.
Machine generated contents note: 1.Indian Cinema and Ideology -- Hindi Cinema and Ideology -- Cinema in the Colonial Context -- 2.Genre, Codes and the Horror Cinema -- Genre and Its Functionality -- Horror Genre and Spectatorship -- Freud and the Uncanny -- Robin Wood's Return of the Repressed -- Julia Kristeva and the Abject -- Generic Codes of the Hindi Horror -- Conjunctions and Departures with Hollywood -- Generic Features of the Hindi Horror -- Horror Cinema as Project of/for the `Nation' -- Nature of the Hindi Horror Genre -- 3.Secular Conscious Narrative -- Secularism in the Indian Context -- Mahal: The Inaugural Moment of the Secular Consciousness -- Madhumati -- Kohraa -- Bhool Bhulaiyaa -- 4.Return of Traditional -- Cultural Narrative -- Jadu Tona -- Gehrayee -- Phoonk -- The Horror in Science Fiction: Between Morals and Mad Scientists -- Historicity of the Monstrous Narrative -- India and the Discourse of Science -- Monstrosities from Science or Monstrous Science? -- Note continued: The Horror of Transmutation -- The Triumph of the Traditional/Mythic Order -- The Monstrous `Other' Feminine -- Mangalsutra and the Monstrous Other Feminine -- Veerana -- Modernization of Patriarchy and Post-liberalization Female Monstrosity -- Raaz -- Eight: The Power of Shani -- Darling -- 5.The Inflection of the Hindutva `Ideo' logic Cinema -- 1920 -- Haunted -- Conclusion.