Ando <br/><br/>
Opera House Acoustics Based on Subjective preference Theory/ 

 - New York:   Springer, 
<br/><br/><br/>Introduction<br/><br/>Analyses of Temporal Factors of a Source Signal<br/><br/>Formulation and Simulation of the Sound Field in an Enclosure<br/><br/>Model of Auditory-Brain System<br/><br/>Temporal and Spatial Primary Percepts of the Sound and the Sound Field<br/><br/>Theory of Subjective Preference of the Sound Field<br/><br/>Examination of Subjective Preference Theory in an Existing Opera House<br/><br/>Reverberance of the Sound Field<br/><br/>Improvements in Subjective Preferences for Listeners and Performers<br/><br/>Optimizing Room-Forms<br/><br/>Visual Sensations on the Stage Blending with Opera and Music<br/><br/>Design Theory of Opera House Stage Persisting Individual Creations<br/> 
<br/><br/><label>ISBN: </label>978-4-431-55423-3