A Structural Theory of Rhythm Notation Based on Tree Representations and Term Rewriting Florent Jacquemard, Pierre Donat-Bouillud, Jean Bresson
Renotation from Optical Music Recognition Liang Chen, Rong Jin, Christopher Raphael
Music Generation
Foundations for Reliable and Flexible Interactive Multimedia Scores Jaime Arias, Myriam Desainte-Catherine, Carlos Olarte, Camilo Rueda
Genetic Algorithms Based on the Principles of Grundgestalt and Developing Variation Carlos de Lemos Almada
Describing Global Musical Structures by Integer Programming on Musical Patterns Tsubasa Tanaka, Koichi Fujii
Improved Iterative Random Walk for Four-Part Harmonization Raymond Whorley, Darrell Conklin
Location Constraints for Repetition-Based Segmentation of Melodies Marcelo E. Rodríguez-López, Anja Volk
Modeling Musical Structure with Parametric Grammars Mathieu Giraud, Sławek Staworko
Perfect Balance: A Novel Principle for the Construction of Musical Scales and Meters Andrew J. Milne, David Bulger, Steffen A. Herff, William A. Sethares
Characteristics of Polyphonic Music Style and Markov Model of Pitch-Class Intervals Eita Nakamura, Shinji Takaki
A Corpus-Sensitive Algorithm for Automated Tonal Analysis Christopher Wm. White
Finding Optimal Triadic Transformational Spaces with Dijkstra’s Shortest Path Algorithm Ryan Groves
A Probabilistic Approach to Determining Bass Voice Leading in Melodic Harmonisation Dimos Makris, Maximos Kaliakatsos-Papakostas, Emilios Cambouropoulos
Hypergestures in Complex Time: Creative Performance Between Symbolic and Physical Reality Maria Mannone, Guerino Mazzola
Generating Fingerings for Polyphonic Piano Music with a Tabu Search Algorithm Matteo Balliauw, Dorien Herremans, Daniel Palhazi Cuervo, Kenneth Sörensen
Logistic Modeling of Note Transitions Luwei Yang, Elaine Chew, Khalid Z. Rajab
Evaluating Singer Consistency and Uniqueness in Vocal Performances Johanna Devaney
A Change-Point Approach Towards Representing Musical Dynamics Katerina Kosta, Oscar F. Bandtlow, Elaine Chew
Similarity and Contrast
Structural Similarity Based on Time-Span Sub-Trees Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo
Cross Entropy as a Measure of Musical Contrast Robin Laney, Robert Samuels, Emilie Capulet
Symbolic Music Similarity Using Neuronal Periodicity and Dynamic Programming Rafael Valle, Adrian Freed
Post-tonal Music Analysis Front Matter
Applications of DFT to the Theory of Twentieth-Century Harmony Jason Yust
Utilizing Computer Programming to Analyze Post-Tonal Music: Contour Analysis of Four Works for Solo Flute Kate Sekula
A Statistical Approach to the Global Structure of John Cage’s Number Piece Five5 Alexandre Popoff
Exact Cover Problem in Milton Babbitt’s All-Partition Array Brian Bemman, David Meredith
Geometric Approaches
Constructing Geometrical Spaces from Acoustical Representations Özgür İzmirli
Geometry, Iterated Quantization and Filtered Voice-Leading Spaces Clifton Callender
Using Fundamental Groups and Groupoids of Chord Spaces to Model Voice Leading James R. Hughes
All-Interval Structures Robert W. Peck
Unifying Tone System Definitions: Ordering Chromas Tobias Schlemmer
A Categorical Generalization of Klumpenhouwer Networks Alexandre Popoff, Moreno Andreatta, Andrée Ehresmann
The Spinnen-Tonnetz: New Musical Dimensions in the 2D Network for Tonal Music Analysis Gilles Baroin, Hugues Seress
Deep Learning
Probabilistic Segmentation of Musical Sequences Using Restricted Boltzmann Machines Stefan Lattner, Maarten Grachten, Kat Agres, Carlos Eduardo Cancino Chacón
El Caballo Viejo? Latin Genre Recognition with Deep Learning and Spectral Periodicity Bob L. Sturm, Corey Kereliuk, Jan Larsen
Can a Musical Scale Have 14 Generators? Emmanuel Amiot
On the Step-Patterns of Generated Scales that are Not Well-Formed Marco Castrillón López, Manuel Domínguez Romero
Triads as Modes within Scales as Modes Thomas Noll
Greek Ethnic Modal Names vs. Alia Musica’s Nomenclature David Clampitt, Jennifer Shafer