Embodied encounters: New approaches to psychoanalysis and cinema/ 
Piotrowska, Agnieszka 
 - London:  Routledge,  2015. 
 - 236 p. 
<br/><br/>1  Catherine Breillat and Courbet's L 'origine du monde | The<br/>origin of the world\ (1866)<br/>EMMA WILSON<br/>2 NachtrSglichkeit and aprks coup in documentary film: the<br/>suffering of Aiieen Wuornos as told by Nick Broomfield<br/>AGNIESZKA PIOTROWSKA<br/>3  The ventriloquism of documentary first-person speech and the<br/>self-portrait film<br/>ELIZABETH COWIE<br/>4  Identification and mutual recognition In Darren Aronofsky's<br/>Black Swan<br/>JULIE SEXENY<br/>5  Terrence Malick's diptych<br/>JOHN IZOD AND JOANNA DOVALIS<br/>6 Therapy and cinema: making images and finding meanings<br/>LUKE HOCKLEY<br/>7 Psychoanalytic soundings: the case of The Dybbuk<br/>STEPHEN FROSH<br/>8 Process and medium in the practice of filmmaking: the work of<br/>Jayne Parker.<br/>CARLA AMBR6SI0 GARCIA<br/>9 Zero Dark Thirty, 'war autism* or a Lacahian ethical act?<br/>AONIESZKA PIOTROWSKA<br/>10 An atheist's guide to feminine jouissance: on Black Swan and<br/>the other satisfaction<br/>BEN TYRER<br/>11 Documentary and psychoanalysis: putting the love back in<br/>epistephilia<br/>MICHAEL RENOV<br/>12 Douglas Gordon and Cory Arcangel: breaking the toy<br/>ROBERT BURGOYNE<br/>13 Mirror images: D.W. Winnicott in the visual field<br/>VICKY LEBEAU<br/>14 Pinning a tale: the screen, the donkey and the MacGufiin<br/>CAROL MACGILLIVRAY<br/>15 The poetics of maternal loss in Tarkovsky's The Mirror<br/>HELENA BASSIL-MOROZOW ,<br/>16 Talking about Kevin: first-, second- and third-person<br/>narratives<br/>NAOMI SEGAL<br/>17 This book has no pictures (a visual documentary of<br/>psychoanalysis)<br/>NICHOLAS MUELLNER 
<br/><br/><label>ISBN: </label>9781138795242 
<br/><br/><label>Dewey Class. No.: </label>791.43019  / PIO/E