TY - BOOK TI - Global television: how to create effective television for the future SN - 9780240801346 U1 - 384.55 PY - 1993/// CY - Boston PB - Focal Press N1 - Part One ANATOMY OF A GLOBALCAST 1 Chapter 1 Defining Globai Teievision: Live Aid 3 Hiding the Seams; The Many Productions Called Live Aid 4 Hiding the Sleight of Hand 5 Multiple Audiences Require Multiple Feeds 5 The Grid 9 Inserting Commercials 10 Inserting Taped Performances 11 Production Complexity Reflected in Technical Complexity 11 Putting Live Aid Together 15 Part Two: THE SPINE OF GLOBAL TELEVISION 17 Chapter 2 Satellites as Production Toois 19 Communication Satellites in Geosynchronous Orbit 19 How Satellites Work: Bands, Uplinks, Downlinks 21 What and Where the Satellites Are 23 How Satellites Are Managed 28 Satellite Footprints 31 How to Plan Satellite Back-ups 32 How to Book Time on Satellite Transponders 33 The Cost of Satellite Time 41 Two Problems: Time-Delay and Mix-Minus 42 Chapter 3 Fiber Optic Cabling 49 Why Use Fiber Optic Cable? 49 How Fiber Optic Cable Works 52 How Fiber Optic Cable Is Used 53 Available Fiber Optic Cable Services 54 Fiber Optic Feeds Versus Satellite Feeds 56 Chapter 4 Charge-Coupled Devices 65 How CCDs Are Used 65 How CCDs Work 65 Why CCDs Are Used 66 Chapter 5 Anaiog/Digitai Technoiogy 67 "The Age of Information" 67 The Form of Information: Sight and Sound 68 Storing, Manipulating, and Sending Data: Bits of Information 70 Information: Stored, Manipulated, Sent, Displayed 72 Part Three CREATING A GLOBALCAST 73 Chapter 6 Initiation and Budget 75 Getting an Idea 75 Getting a Format 76 Getting Backers 78 Getting Distribution 81 Getting a Budget 83 Chapter 7 How to Hire the Staff Defining Job Titles 89 89 Confronting the Energy Level, the Gee-Whiz Factor, the Unexpected 90 Chapter 8 Chapter 9 How to Survey and Work Remote Locations Surveying Remote Locations 91 Making an Original Survey 92 Working at a Remote Location 94 How to Communicate Within the Staff 95 Communication Before the Show 96 Communication During the Show 112 Communication After the Show 121 9i Chapter 10 How to Produce a Series 122 The Scope of the Globalcast and the "Overviews" The Equipment 130 Routing Signals from the IBC to the World 132 Communicating the Philosophy 134 Capturing the International Flavor 139 Translating Events Into a Format 140 Detailing the Specifics 144 The Road to the Air Show 146 Rehearsal 147 Preshow Communication 154 Operational Manuals 155 Chapter 11 How to Book and Guide the Taient 157 122 Analyzing the Anchor Position 158 Analyzing the Talent at the Venues 159 Integrating Talent and Equipment Techniques 160 Chapter 12 How to Create Scripts/Scheduies 162 Chapter 13 Part Four TRANSMISSION TECHNOLOGY 165 Transmission Via Sateiiite 167 A Caution About Convergence 167 DBS: Direct Broadcast by Satellite 168 Chapter 14 How Viewer Demand Dictates Transmissi o n Techniques Niche Programming 173 How Cable Television Has Influenced Televisioi Transmission Home Video Jolts the Television and Film Indus ies 174 Digital Compression: Channels-to-Go/PPV 17!^ DBS: Around the World 176 DBS Versus Cable: Racing Against Time and T hnology 180 17 173 3 Chapter 15 Broadcast Television, Media Convergence, and Display Standards 186 Existing TV Standards 186 Pending Television Standards 195 Computer, Television, and Film Standards 200 Waiting for Full-WaU Television; Thin Panels for HDTV 205 Part Five GLOBAL TRENDS 209 Chapter 16 Trends in News 211 Teleplomacy: Global Television in War and Peace 212 What Direction is Newscasting Taking? 218 Global News from Local Sources 220 Summary: News/Global News 221 Chapter 17 Trends in Sports and Pay-Per-View 224 Sports Will Continue to Go Global 224 Sports Will Continue to Go to Pay-per-View 225 PPV Beyond Sports 230 Chapter 18 Trends In Entertainment 234 Reality Rears Its Many Heads: Television on Trial 234 Global Game Shows: Call 900-Interactive 236 Se Habla Espahol 236 Let Me Infotain you 236 "I Surrender Dear" 237 TV Inside TV: Dream On! 237 TY Gwilie Guides Us 238 Chapter 19 Trends In Coproductlon 239 How Quotas From the European Community Sparked Coproduction 239 Sharing Costs and Audiences 242 Chapter 20 Trends In Equipment 248 Downsizing: Smaller Is Better 248 Remote Equipment: Technology to Go 252 Interactive Television 253 There's a Photon in Your Future: Holography! 256 Smart Houses/Smart People 258 Chapter 21 Jobs: A Look at the Future 260 Part Six A FiNAL PERSPECTiVE 265 Chapter 22 Looking at a Crystal Ball 267 Virtual Reality 267 Property Rights/Privacy Rights 267 What Kind of Global Village? 268 The "Other" Radio Waves 269 What We Don't Know 270 Afterword The Future: The Weapon of the Mind 273 Appendix Global Television Standards 275 Glossary 279 \■ Index 312 ^ ER -