Wade, Bonnie C. <br/><br/>
Music in Japan: experiencing music, expressing culture/ 
Bonnie C. Wade. 
 - New York :  Oxford University Press,  2005. 
 - xxii, 184 p. :  ill. ;  22 cm. 
<br/><br/>Includes bibliographical references (p. 170-174), filmography (p. 174-176), and index. 
<br/><br/>1. International Interface: Looking Westward<br/><br/><br/>Setting the Scene<br/><br/><br/>"The West" Goes to Japan<br/><br/><br/>Meiji-Period Modernization<br/><br/><br/>World War I and Immediately Following<br/><br/><br/>2. International Interface: Looking Eastward<br/><br/><br/>Tradition in a Time of Change<br/><br/><br/>Interface in the First Millennium<br/><br/><br/>The Gagaku Ensemble as We Hear It<br/><br/><br/>Aerophones<br/><br/><br/>Chordophones<br/><br/><br/>Membranophone and an Idiophone<br/><br/><br/>Percussion Parts in Gagaku Music<br/><br/><br/>Strokes and Stroke Sequences<br/><br/><br/>Coordinated Percussion Patterns<br/><br/><br/>Gagaku through Time<br/><br/><br/>3. Focusing Inward and Across Boundaries<br/><br/><br/>Beyond Classical Music Training<br/><br/><br/>Beyond the Palace<br/><br/><br/>Beyond the Temple<br/><br/><br/>Fuzzing of Folk and Popular<br/><br/><br/>Tsugaru syamisen<br/><br/><br/>The Syamisen<br/><br/><br/>Drumming Ensembles<br/><br/><br/>Matsuri bayashi<br/><br/><br/>Within the World of Koto<br/><br/><br/>Keiko Nosaka and the Twenty-stringed Koto<br/><br/><br/>Tsukushi-goto<br/><br/><br/>Yatsuhashi Ryu and "Rokudan"<br/><br/><br/>Ikuta Kengyo and Yamada Kengyo<br/><br/><br/>Michio Migyai and Shin nihon ongaku<br/><br/><br/>Traditional Music for Koto<br/><br/><br/>Contemporary Composition for Koto<br/><br/><br/>From Theater to Film<br/><br/><br/>4. Intertextuality in the Theatrical Arts<br/><br/><br/>The No Drama and Ataka<br/><br/><br/>The Staging<br/><br/><br/>The Plays and Musical Setting<br/><br/><br/>The Acting Forces<br/><br/><br/>Movement<br/><br/><br/>The Musicians and Instruments<br/><br/><br/>The Kabuki Theater<br/><br/><br/>From No to Kabuki<br/><br/><br/>Kanjincho<br/><br/><br/>The Musicians<br/><br/><br/>The Music<br/><br/><br/>The Film Men Who Step on the Tiger's Tail<br/><br/><br/>5. Managing International Interface<br/><br/><br/>Continuing Interface<br/><br/><br/>Looking to the East<br/><br/><br/>Niche Musics from Around the World<br/><br/><br/>Jazz and the Authenticity Issue<br/><br/><br/>Hip-hop in Japan<br/><br/><br/>Continuing the Inward Look<br/><br/><br/>National Cultural Policies<br/><br/><br/>The Choral Phenomenon<br/><br/><br/>Music and the Media<br/><br/><br/>Film Music<br/><br/><br/>Enka<br/><br/><br/>J-pop<br/><br/><br/>Theme Songs<br/><br/><br/>The New York Nexus<br/><br/><br/>Noise<br/><br/><br/>6. From Japan Outward<br/><br/><br/>Japanese Diasporas<br/><br/><br/>Karaoke<br/><br/><br/>Jazz and "Japaneseness"<br/><br/><br/>Kurasiku ongaku<br/><br/><br/>Sharing the concern about "Japaneseness"<br/><br/><br/>Expressing "Japaneseness" Aesthetically<br/><br/><br/>The Seasons in Japanese Music<br/><br/><br/>Keko Abe and the Marimba<br/> 
<br/><br/><label>ISBN: </label>0195144880 0195144872 
<br/><br/><label>Subjects--Topical Terms: </label><br/>Music--History and criticism.--Japan<br/>Music--Foreign influences.--Japan
<br/><br/><label>Dewey Class. No.: </label>780.952   / WAD/M