Ethnicity, identity, and music: the musical construction of place/ 
edited by Martin Stokes. 
 - Oxford, UK ;  Providence, RI :  Berg,  1994. 
 - x, 212 p. ;  23 cm. 
 - Berg ethnic identities series .
<br/><br/>Includes bibliographical references and index. 
<br/><br/>M. Stokes, Introduction: Ethnicity, Identity and Music - M. Chapman, Thoughts on Celtic Music - J. Baily, The Role of Music in the Creation of an Afghan National Identity, 1923-73 - Z. Mach, National Anthems: The Case of Chopin as a National Composer - S. A. Reily, Macunaima's Music: National Identity and Ethnomusicological Research in Brazil - M. Stokes, Place, Exchange and Meaning: Black Sea Musicians in the West Coast of Ireland - S. Cohen, Identity, Place and the 'Liverpool Sound' - F. Magowan, 'The Land is our M‰rr (Essence); It Stays Forever': The Yothu-Yindi Relationship in Australian Aboriginal Traditional and Popular Musics - P. Parkes, Personal and Collective Identity in Kalasha Song Performance: The Significance of Music-making in a Minority Enclave - H. La Rue, Music, Literature and Etiquette: Musical Instruments and Social Identity from Castiglione to Austen 
<br/><br/><label>ISBN: </label>1859730418 0854968776 
<br/><br/><label>Subjects--Topical Terms: </label><br/>Music and anthropology.<br/>Ethnomusicology.<br/>Ethnicity in music.<br/>Identity (Philosophical concept)
<br/><br/><label>Dewey Class. No.: </label>780   / STO/E