Understanding film marxist perspectives/ 
edited by Mike Wayne. 
 - London:  Pluto Press,  2005. 
 - 253 p. 
<br/><br/>Introduction: Marxism, Film and Film StudiesMike Wayne1. Benjamin/Adorno/Brecht and Film b yEsther Leslie2. Gramsci, Sembene, and the Politics of Culture by Marcia Landy3. The Althusserian moment revisited (again). by Deborah Philips4. Jameson, Postmodernism and the hermeneutics of paranoia by Mike Wayne5. 'Making It': Reading Boogie Nights and Blow as Symbolic Economies of Surplus and Sentiment by Anna Kornbluh6. The Critics Who Knew Too Little: Hitchcock and the Absent Class Paradigm by Colin McArthur7. Economic and Institutional Analysis: Hollywood as Monopoly Capitalism by Douglas Gomery8. Hollywood, Cultural Policy Citadel by Toby Miller9. State Cinema and Passive Revolution in North Korea by Hyangjin Lee10. Narrative, Culture, and Legitimacy: Repetition and Singularity in Zhang Yimou's The Story of Qiu Ju by Xudong Zhang11. Cinemas in Revolution: 1920s Russia, 1960s Cuba by Michael ChananNotes on ContributorsIndex 
<br/><br/><label>ISBN: </label>0745319920 
<br/><br/><label>Subjects--Topical Terms: </label><br/> Motion pictures -- Political aspects.<br/> družbeni vidiki -- ideološka vprašanja -- tehnologija filma -- ekonomija filma -- zgodovinski aspekti -- zborniki<br/>film -- teorija filma -- analize filmov -- filmske študije -- analitični pristopi -- marksizem -- film in politika -- politični film <br/>Socialism and motion pictures.
<br/><br/><label>Dewey Class. No.: </label>335.4  / WAY/U