Visual research methods. Vol. 2/
edited by Peter Hamilton
- London: SAGE Publications, 2006.
- 412 p.
Part Two : The Objective of the Visual (Continued from V.1) Roland Barthes on the Aesthetics of Photography/ D Jacquette -- Desire in Art and Politics: The Theories of Jean-Francois Lyotard/ M Turim -- The Invisible Flaneuse: Women and Literature of Modernity/ J Wolff -- In the Empire of the Gaze: Foucault and the Denigration of Vision in Twentieth-century French Thought/ M Jay-- Varieties of Photographic Representation: Documentary, Pictorial and Quasi-Documentary/ N. Warburton -- Tell the Truth: Codes of Objectivity in Photojournalism/ D Schwartz -- The Centrality of the Eye in Western Culture: An Introduction/ C Jenks -- Shadow Catchers or Shadow Snatchers? Ethical Issues for Photographers of Contemporary Native Americans/ L P Brumbaugh -- Deceptive Images: The Social Sciences and the Puzzle of Moving Pictures/ P Sorlin -- Bialowieza Forest, Poland: Representation, Myth, and the Politics of Dispossession/ Stuart Franklin -- Autonomy and Anti-art: Adorno's Concept of Avant-garde Art/ S Martin -- Photography and the Performance of History/ E Edwards -- The Darker Side of Visual Research/ J Proser -- Snapshots "R" Us: The Evidentiary Problematic of Home Media/ R Chalfen -- Telling Stories About Photography: The Language and Imagery of Class in the Work of Humphrey Spender and Paul Reas/ D Newbury -- Visual Sociology, Documentary Photography, and Photojournalism: It's (Almost) All a Matter of Context/ H S Becker -- The Objectivity of Artistic Values/ R Boudon -- Filmed Science in Search of a Form: Contested Discourses in Anthropological and Sociological Film-Making/ L Pauwels -- The Visual Construction of Secondary Witness: Three Case Studies from Television/ J Corner