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The author's voice in classical and late antiquity / edited by Anna Marmodoro and Jonathan Hill

By: edited by Marmodoro, Anna and Hill, JonathanMaterial type: Text

TextPublication details: New York: Oxford University Press, 2013Edition: First editionDescription: xvii, 420 pages: illustrations; 22 cmISBN: 9780199670567; 0199670560Subject(s): Authorship -- History | Greek literature -- History and criticism | Latin literature -- History and criticismDDC classification: 880.9

Contents:

I. AUTHORS AND THEIR MANIFESTATIONS 1.1 The third person 1. The poet in the Iliad Barbara Graziosi 2. Xenophon's and Caesar's third-person narratives—or are they? Christopher Felling 1.2 The dialogic voice 3. Listening to many voices: Athenian tragedy as popular art William Allan and Adrian Kelly 4. 'When I read my Cato, it is as if Cato speaks': the birth and evolution of Cicero's dialogic voice Sarah Culpepper Stroup 5. Author and speaker(s) in Horace's Satires 2 Stephen Harrison 1.3 The first person 6. 'I, Polybius': self-conscious didacticism? Georgina Longley 7. Drip-feed invective: Pliny, self-fashioning, and the Regulus letters Rhiannon Ash 8. An I for an I: reading fictional autobiography Tim Whitmarsh II. AUTHORS AND AUTHORITY 9. Ille ego qui quondam: on authorial (an)onymity Irene Peirano 10. Authorship and authority in Greek fictional letters A. D. Morrison 11. Plato's religious voice; Socrates as godsent, in Plato and the Platonists Michael Erler 12. When the dead speak: the refashioning of Ignatius of Antioch in the long recension of his letters Mark Edwards 13. Ars in their 'I's: authority and authorship in Graeco-Roman visual culture Michael Squire

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Holdings
Item type	Current library	Call number	Status	Date due	Barcode	Item holds
General Books	Central Library, Sikkim University General Book Section	880.9 MAR/A (Browse shelf(Opens below))	Available		P42558

Total holds: 0

Includes bibliographical references and index.

I. AUTHORS AND THEIR MANIFESTATIONS
1.1 The third person
1. The poet in the Iliad
Barbara Graziosi
2. Xenophon's and Caesar's third-person
narratives—or are they?
Christopher Felling
1.2 The dialogic voice
3. Listening to many voices: Athenian tragedy
as popular art
William Allan and Adrian Kelly
4. 'When I read my Cato, it is as if Cato speaks': the
birth and evolution of Cicero's dialogic voice
Sarah Culpepper Stroup
5. Author and speaker(s) in Horace's Satires 2
Stephen Harrison
1.3 The first person
6. 'I, Polybius': self-conscious didacticism?
Georgina Longley
7. Drip-feed invective: Pliny, self-fashioning, and
the Regulus letters
Rhiannon Ash
8. An I for an I: reading fictional autobiography
Tim Whitmarsh
II. AUTHORS AND AUTHORITY
9. Ille ego qui quondam: on authorial (an)onymity
Irene Peirano
10. Authorship and authority in Greek fictional letters
A. D. Morrison
11. Plato's religious voice; Socrates as godsent, in Plato
and the Platonists
Michael Erler
12. When the dead speak: the refashioning of Ignatius
of Antioch in the long recension of his letters
Mark Edwards
13. Ars in their 'I's: authority and authorship in
Graeco-Roman visual culture
Michael Squire

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