Rethinking Chinese popular culture: cannibalizations of the canon / edited by Carlos Rojas and Eileen Cheng-yin Chow.
Material type: TextPublication details: London ; New York : Routledge, 2009Description: xi, 288 p. ; 25 cmISBN: 9780415468800 (hbk.); 0415468809 (hbk.)Subject(s): Chinese literature -- History and criticism | Popular culture -- ChinaDDC classification: 895.109005Item type | Current library | Call number | Status | Date due | Barcode | Item holds |
---|---|---|---|---|---|---|
General Books | Central Library, Sikkim University General Book Section | 895.109005 (Browse shelf(Opens below)) | Available | P16415 |
Includes bibliographical references and index.
Notes on contributors
Introduction: the disease of canonicity
CARLOS ROJAS
PART-I Producing popularity
1. Perverse poems and suspicious salons: the Friday School in modern Chinese literature
MICHEL HOCKX
2. Professional anxiety, brand names, and wild chickens: from 1909
ALEXANDER DES FORGES
3. Serial sightings: news, novelties, and an Unofficial History of the Old Capital
EILEEN CHENG-YIN CHOW
4. Canonizing the popular: the case of Jin Yong
JOHN CHRISTOPHER HAMM
PART II Canonical reflections
5. An archaeology of repressed popularity: Zhou Shoujuan, Mao Dun, and their 1920s literary polemics
JIANHUA CHEN
6. A tale of two cities: romance, revenge, and nostalgia in two fin-de-siecle novels by Ye Zhaoyan and Zhang Beihai
MICHAEL BERRY
7. From romancing the state to romancing the store: further elaborations of Butterfly motifs in contemporary Taiwan literature
PING-HUI LIAO
PART III Nostalgia and amnesia
8. Rewriting the Red Classics
DAI JINHUA
9. The reproduction of a popular hero
WEIJIE SONG
10. Memory, photographic seduction, and allegorical correspondence: Eileen Chang's Mutual Reflections
XIAOJUE WANG
PART IV Gender and desire
11. Popular literature and national representation: the gender and genre politics of Begonia
DAVID DER-WEI WANG
12. "What sort of thing is sentiment?" Gifts, love tokens, and material evidence in Jin Yong's novels
HSIAO-HUNG CHANG
13. Authorial afterlives and apocrypha in 1990s Chinese fiction
CARLOS ROJAS
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