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Filming horror: Hindi cinema, ghosts and ideologies/ Meraj Ahmed Mubarki

By: Mubarki, Meraj AhmedMaterial type: Text

TextPublication details: SAGE, 2016ISBN: 9789351508717Subject(s): Social ScienceOnline resources: Click here to access online

Contents:

Machine generated contents note: 1.Indian Cinema and Ideology -- Hindi Cinema and Ideology -- Cinema in the Colonial Context -- 2.Genre, Codes and the Horror Cinema -- Genre and Its Functionality -- Horror Genre and Spectatorship -- Freud and the Uncanny -- Robin Wood's Return of the Repressed -- Julia Kristeva and the Abject -- Generic Codes of the Hindi Horror -- Conjunctions and Departures with Hollywood -- Generic Features of the Hindi Horror -- Horror Cinema as Project of/for the `Nation' -- Nature of the Hindi Horror Genre -- 3.Secular Conscious Narrative -- Secularism in the Indian Context -- Mahal: The Inaugural Moment of the Secular Consciousness -- Madhumati -- Kohraa -- Bhool Bhulaiyaa -- 4.Return of Traditional -- Cultural Narrative -- Jadu Tona -- Gehrayee -- Phoonk -- The Horror in Science Fiction: Between Morals and Mad Scientists -- Historicity of the Monstrous Narrative -- India and the Discourse of Science -- Monstrosities from Science or Monstrous Science? -- Note continued: The Horror of Transmutation -- The Triumph of the Traditional/Mythic Order -- The Monstrous `Other' Feminine -- Mangalsutra and the Monstrous Other Feminine -- Veerana -- Modernization of Patriarchy and Post-liberalization Female Monstrosity -- Raaz -- Eight: The Power of Shani -- Darling -- 5.The Inflection of the Hindutva `Ideo' logic Cinema -- 1920 -- Haunted -- Conclusion.

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Holdings
Item type	Current library	Call number	Status	Date due	Barcode	Item holds
e-Books	Central Library, Sikkim University		Not for loan		E-1602

Total holds: 0

Machine generated contents note: 1.Indian Cinema and Ideology --
Hindi Cinema and Ideology --
Cinema in the Colonial Context --
2.Genre, Codes and the Horror Cinema --
Genre and Its Functionality --
Horror Genre and Spectatorship --
Freud and the Uncanny --
Robin Wood's Return of the Repressed --
Julia Kristeva and the Abject --
Generic Codes of the Hindi Horror --
Conjunctions and Departures with Hollywood --
Generic Features of the Hindi Horror --
Horror Cinema as Project of/for the `Nation' --
Nature of the Hindi Horror Genre --
3.Secular Conscious Narrative --
Secularism in the Indian Context --
Mahal: The Inaugural Moment of the Secular Consciousness --
Madhumati --
Kohraa --
Bhool Bhulaiyaa --
4.Return of Traditional --
Cultural Narrative --
Jadu Tona --
Gehrayee --
Phoonk --
The Horror in Science Fiction: Between Morals and Mad Scientists --
Historicity of the Monstrous Narrative --
India and the Discourse of Science --
Monstrosities from Science or Monstrous Science? --
Note continued: The Horror of Transmutation --
The Triumph of the Traditional/Mythic Order --
The Monstrous `Other' Feminine --
Mangalsutra and the Monstrous Other Feminine --
Veerana --
Modernization of Patriarchy and Post-liberalization Female Monstrosity --
Raaz --
Eight: The Power of Shani --
Darling --
5.The Inflection of the Hindutva `Ideo' logic Cinema --
1920 --
Haunted --
Conclusion.

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