Rabindranath Tagore in the 21st Century/

By: BanerjiMaterial type: TextTextPublication details: New York: Springer, ISBN: 978-81-322-2038-1 Online resources: Click here to access online
Contents:
Introduction—Theory and the Performative Politics of Punctuation Debashish Banerji The Rustle of Language Translating Tagore: Shifting Paradigms Two Giant Brothers Tagore’s Idea of “World Literature” “The World in a Nest”: Rabindranath Tagore on Nationalism and Internationalism The Bauhaus, Rabindranath Tagore and His Paintings Why Ratan Fell in Love Unnoticed and Why Ashu was Ashamed: Tagore’s Short Fiction and the Ethics of Feeling Remembering Robi: Childhood, Freedom and Rabindranath Tagore The Educational Efforts of Rabindranath Tagore The Delineation of the Female Subject in Rabindranath Tagore’s Novel Farewell, My Friend Gender, Nation, and the Vicissitudes of Kalpana: Choreographing Womanly Beauty in Tagore’s Dance Dramas “As Though She Were a Man”: Chitrangada and Contemporary Queer Appropriations of Tagore Tagore and the Northeast: Dialectics of Human Intellection and the Nature of Aesthetic Reflection Rabindrasangeet and Modern Bengali Subjectivity Tagore and National Identity Formation in Bangladesh Tagore Through Portraits: An Intersubjective Picture Gallery The Unanswered Question: Some Remarks on Tagore’s Late Style
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Introduction—Theory and the Performative Politics of Punctuation
Debashish Banerji

The Rustle of Language

Translating Tagore: Shifting Paradigms

Two Giant Brothers

Tagore’s Idea of “World Literature”

“The World in a Nest”: Rabindranath Tagore on Nationalism and Internationalism

The Bauhaus, Rabindranath Tagore and His Paintings

Why Ratan Fell in Love Unnoticed and Why Ashu was Ashamed: Tagore’s Short Fiction and the Ethics of Feeling

Remembering Robi: Childhood, Freedom and Rabindranath Tagore

The Educational Efforts of Rabindranath Tagore

The Delineation of the Female Subject in Rabindranath Tagore’s Novel Farewell, My Friend

Gender, Nation, and the Vicissitudes of Kalpana: Choreographing Womanly Beauty in Tagore’s Dance Dramas

“As Though She Were a Man”: Chitrangada and Contemporary Queer Appropriations of Tagore

Tagore and the Northeast: Dialectics of Human Intellection and the Nature of Aesthetic Reflection

Rabindrasangeet and Modern Bengali Subjectivity

Tagore and National Identity Formation in Bangladesh

Tagore Through Portraits: An Intersubjective Picture Gallery

The Unanswered Question: Some Remarks on Tagore’s Late Style

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