Opera House Acoustics Based on Subjective preference Theory/

By: AndoMaterial type: TextTextPublication details: New York: Springer, ISBN: 978-4-431-55423-3Online resources: Click here to access online
Contents:
Introduction Analyses of Temporal Factors of a Source Signal Formulation and Simulation of the Sound Field in an Enclosure Model of Auditory-Brain System Temporal and Spatial Primary Percepts of the Sound and the Sound Field Theory of Subjective Preference of the Sound Field Examination of Subjective Preference Theory in an Existing Opera House Reverberance of the Sound Field Improvements in Subjective Preferences for Listeners and Performers Optimizing Room-Forms Visual Sensations on the Stage Blending with Opera and Music Design Theory of Opera House Stage Persisting Individual Creations
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e-Books e-Books Central Library, Sikkim University
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Introduction

Analyses of Temporal Factors of a Source Signal

Formulation and Simulation of the Sound Field in an Enclosure

Model of Auditory-Brain System

Temporal and Spatial Primary Percepts of the Sound and the Sound Field

Theory of Subjective Preference of the Sound Field

Examination of Subjective Preference Theory in an Existing Opera House

Reverberance of the Sound Field

Improvements in Subjective Preferences for Listeners and Performers

Optimizing Room-Forms

Visual Sensations on the Stage Blending with Opera and Music

Design Theory of Opera House Stage Persisting Individual Creations

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