Embodied encounters: New approaches to psychoanalysis and cinema/ Piotrowska, Agnieszka

1 Catherine Breillat and Courbet's L 'origine du monde | The
origin of the world\ (1866)
EMMA WILSON
2 NachtrSglichkeit and aprks coup in documentary film: the
suffering of Aiieen Wuornos as told by Nick Broomfield
AGNIESZKA PIOTROWSKA
3 The ventriloquism of documentary first-person speech and the
self-portrait film
ELIZABETH COWIE
4 Identification and mutual recognition In Darren Aronofsky's
Black Swan
JULIE SEXENY
5 Terrence Malick's diptych
JOHN IZOD AND JOANNA DOVALIS
6 Therapy and cinema: making images and finding meanings
LUKE HOCKLEY
7 Psychoanalytic soundings: the case of The Dybbuk
STEPHEN FROSH
8 Process and medium in the practice of filmmaking: the work of
Jayne Parker.
CARLA AMBR6SI0 GARCIA
9 Zero Dark Thirty, 'war autism* or a Lacahian ethical act?
AONIESZKA PIOTROWSKA
10 An atheist's guide to feminine jouissance: on Black Swan and
the other satisfaction
BEN TYRER
11 Documentary and psychoanalysis: putting the love back in
epistephilia
MICHAEL RENOV
12 Douglas Gordon and Cory Arcangel: breaking the toy
ROBERT BURGOYNE
13 Mirror images: D.W. Winnicott in the visual field
VICKY LEBEAU
14 Pinning a tale: the screen, the donkey and the MacGufiin
CAROL MACGILLIVRAY
15 The poetics of maternal loss in Tarkovsky's The Mirror
HELENA BASSIL-MOROZOW ,
16 Talking about Kevin: first-, second- and third-person
narratives
NAOMI SEGAL
17 This book has no pictures (a visual documentary of
psychoanalysis)
NICHOLAS MUELLNER