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New Indian cinema in post-independence India: the cultural wok of shyam Benegal`s films/ Anuradha Dingwaney Needham

By: Needham, Anuradha DingwaneyMaterial type: Text

TextPublication details: London: Routledge, 2013Description: xvii, 218 p. : ill. ; 24 cmISBN: 9780415693974Subject(s): Benegal, Shyam, 1934- | Motion pictures | Indian motion picturesDDC classification: 791.430233092

Contents:

Part 1: The Nation as Its Women 1. "The Places Occupied by Women": Gender, Subalternity, and the (Nation-)State in Ankur and Nishant 2. "Performing Wom[e]n": The "Nachne-Ganewalis" of Bhumika; Mandi; and Sardari Begum Part 2: The Nation's Alternative and Self-Authorized Biographies 3. Fictional Engagements With (National) History: Junoon, Mammo, and Trikal 4. A Pantheon of National Heroes: Nehru, The Making of the Mahatma, and Bose: The Forgotten Hero Part 3: The Nation and its Ideologies of Development 5. "Making these cause films": Cinematic Renditions of the Developmental Agendas of the (Nation-)State

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Holdings
Item type	Current library	Call number	Status	Date due	Barcode	Item holds
General Books	Central Library, Sikkim University General Book Section	791.430233092 NEE/N (Browse shelf(Opens below))	Checked out	08/02/2021	P41455

Total holds: 0

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Previous	791.430233092 BRO/D David Fincher:/	791.430233092 LOB/M Martin Scorsese: a biography/	791.430233092 MOD/W The women who knew too much: Hitchcock and feminist theory/	791.430233092 NEE/N New Indian cinema in post-independence India: the cultural wok of shyam Benegal`s films/	791.43025 RIZ/A The art direction handbook for film & television/	791.430280922548 PRA/C Cine - politics: Film stars and political existence in South India/	791.430280922548 PRA/C Cine - politics: Film stars and political existence in South India/	Next

Part 1: The Nation as Its Women

1. "The Places Occupied by Women": Gender, Subalternity, and the (Nation-)State in Ankur and Nishant

2. "Performing Wom[e]n": The "Nachne-Ganewalis" of Bhumika; Mandi; and Sardari Begum

Part 2: The Nation's Alternative and Self-Authorized Biographies

3. Fictional Engagements With (National) History: Junoon, Mammo, and Trikal

4. A Pantheon of National Heroes: Nehru, The Making of the Mahatma, and Bose: The Forgotten Hero

Part 3: The Nation and its Ideologies of Development

5. "Making these cause films": Cinematic Renditions of the Developmental Agendas of the (Nation-)State

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