Experience and meaning in music performance/ edited by Martin Clayton, Byron Dueck, and Laura Leante
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Item type | Current library | Call number | Status | Date due | Barcode | Item holds |
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Central Library, Sikkim University General Book Section | 781.11 CLA/W (Browse shelf(Opens below)) | Available | P41097 |
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781.1 TUR/M Music as social life: the politics of participation/ | 781.1 TUR/M Music as social life: the politics of participation/ | 781.11 BER/M Music, Science, and the Rhythmic Brain/ | 781.11 CLA/W Experience and meaning in music performance/ | 781.11 DEN/M Music-in-Action/ | 781.11 KRA/C Critical Musicology and the Responsibility of Response:/ | 781.11 NAG/M Melodies of the mind: connections between psychoanalysis and music/ |
Acknowledgements ; List of contributors ; About the companion web site ;
Chapter 1. Introduction (Martin Clayton, Byron Dueck and Laura Leante) ;
Chapter 2. Entrainment, ethnography and musical interaction (Martin Clayton) ;
Chapter 3. Social co-regulation and communication in North Indian duo performances (Nikki Moran) ;
Chapter 4. Groove: temporality, awareness and the feeling of entrainment in jazz performance (Mark Doffman) ;
Chapter 5. Performing the Rosary: meanings of time in Afro-Brazilian Congado music (Glaura Lucas) ;
Chapter 6. Performance and shame (Andy McGuiness) ;
Chapter 7. Rhythm and role recruitment in Manitoban aboriginal vocal and instrumental music (Byron Dueck) ;
Chapter 8. Imagery, gesture and listeners' construction of meaning in North Indian classical music (Laura Leante) ;
Chapter 9. Embodiment and movement in musical performance (Martin Clayton and Laura Leante) ; References
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