Oriental theatre: stage By stage/ Philip Freund

By: Freund, PhilipMaterial type: TextTextPublication details: London: Peter Owen Publishers, 2005Description: 831pISBN: 072061208XDDC classification: 792
Contents:
1 India: Sacred Pavilion and Flagstaff I9 Origins; the Bharata Naiya Sasira 20 The Golden Age: Bhasa, Shudraka Kalidasa and Bhavabhuti 23 2 China;The Pear Orchard 37 Theatre in the Han, Sui,Tang, Song and Ming Dynasties 38 Yuan zajir, Guan Hanqing, Bai Pu, MaZhiyuan, Zheng Guangzhou 48 Na?ixi 66 Chuaqui 74 Stagecraft in the late Ming dynasty 79 Playwrights of the Qing dynasty 85 Patronage and repression under Manchu rule 95 The court of Ch'ien Lung 10^ Theatre in the nineteenth century 116 The Four Great AnhweiTroupes 125 Chinese theatrical buildings 130 Playwrights of the late Qing ^33 Repertoire of the Peking Opera 133 Stagecraft in Peking opera ^39 3 Devil Dances, Shadow Plays ^45 Theatrical forms in Ceylon ^45 Burma Thailand Cambodia Indonesia 151 Dance forms in the Philippines 156 Filipino drama 162 Tibet 174 Japan: Noh and Kabuki i77 Origins of Japanese drama 177 Gigaku and Bugaku i79 Saibara and Dengaku 183 Kwanami 186 Seami 190 Ky^en 209 Bunraku 212 Early Kabuki 225 The plays of Chikamatsu 229 Stagecraft of Kabuki 235 Shimpa 239 The twentieth-century revival of Kabuki 244 Masque Plays of Korea 251 Origins 251 Silla, Koryo andYi periods 253 Dance forms 257 T'alch'um 264 Sandae-togam-guk 267 Dance in the nineteenth century 269 India: Plays and Players 271 Folk plays 272 Temple plays 279 "Traditional" stagecraft 280 Theatre in Bombay 283 North India 286 South India 289 Bengali drama; Rabindranath Tagore 291 Late twentieth-century and contemporary drama 295 India: Puppets and Dancers 307 Puppet theatre 307 Origins of dance-drama 310 Uday Shankar 313 Classical dance-drama forms Contemporary classical dancers Terukkuttu 345 Classical dance in India today 347 Dance-drama in the Himalayas Nepal 351 Bhutan 352 Tibet 357 9 Burma and Ceylon 365 Burma 3^5 Ceylon 367 10 Indonesia 37i Wayang 371 Westernized drama 375 Javanese dance-drama 376 Balinese performing arts 382 Penca and lopeng 387 Dance Indonesia 388 11 Vietnam and Cambodia 39i Vietnam 391 Cambodia 394 12 China: FacingWest 399 Kunqu 399 Huaju CaoYu Guo Moruo Lao She HsiaYen Ch'en Pai-Ch'en Li Chien-vvu Yang Chiang Yang Lii-fang Agitprop theatre Wu Han 13 China:Traditions Continue Peking opera; Mei lanfang Regional opera and drama 14 China: Mao and After The ascendancy of Jiang Qing Casualties of the Cultural Revolution Artistic recovery under Deng Xiaoping Visitors from the West 15 China: Opera, Puppetry, Dance Chinese opera on tour Folk-dance and dance-drama Western-style ballet Expanding Western cultural influences Puppetry Acrobatics Western-style opera in China Limits to freedom; staging The Peony Pavilion New theatres Performing arts in Hong Kong 16 Taiwan: Another China 575 Peking opera companies 575 Lin Hwai-min and the (jate Theatre 577 /7//(j;>nn Taiwan 5^3 17 Korea: Changing 589 The arrival of Western-style drama 589 Marxist drama groups 592 The Experimental Stage 593 Invasion and war 595 Post-war revival of drama in the South 59^ Native opera 601 Modern and traditional dance in the South 603 Puppetry 619 North Korea 620 18 Japan in the Twentieth Century 627 Shingeki and Shimpa 627 Transition to Westernized drama 629 Playwrights of the early twentieth century: The Bungakuza 636 Yukio Mishima 646 Kobo Abe 668 Masakazu Yamazaki 684 Underground theatre 712 Innovative drama:Tadashi Suzuki, the Noho Group, Kazuo Kikuta and others 718 Contemporary Noh, Kyogen and Kabuki 73^ Western-style opera 750 Classical and modern dance 75^ Butoh 768 New movements in modern dance 786 General Index 805 Index of Producing Companies Avenues 827 Index of Cited Authors 829
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General Books General Books Central Library, Sikkim University
General Book Section 		792 FRE/O (Browse shelf(Opens below)) Available P32924
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1 India: Sacred Pavilion and Flagstaff I9
Origins; the Bharata Naiya Sasira 20
The Golden Age: Bhasa, Shudraka Kalidasa and Bhavabhuti 23
2 China;The Pear Orchard 37
Theatre in the Han, Sui,Tang, Song and Ming Dynasties 38
Yuan zajir, Guan Hanqing, Bai Pu, MaZhiyuan, Zheng Guangzhou 48
Na?ixi 66
Chuaqui 74
Stagecraft in the late Ming dynasty 79
Playwrights of the Qing dynasty 85
Patronage and repression under Manchu rule 95
The court of Ch'ien Lung 10^
Theatre in the nineteenth century 116
The Four Great AnhweiTroupes 125
Chinese theatrical buildings 130
Playwrights of the late Qing ^33
Repertoire of the Peking Opera 133
Stagecraft in Peking opera ^39
3 Devil Dances, Shadow Plays ^45
Theatrical forms in Ceylon ^45
Burma
Thailand
Cambodia
Indonesia 151
Dance forms in the Philippines 156
Filipino drama 162
Tibet 174
Japan: Noh and Kabuki i77
Origins of Japanese drama 177
Gigaku and Bugaku i79
Saibara and Dengaku 183
Kwanami 186
Seami 190
Ky^en 209
Bunraku 212
Early Kabuki 225
The plays of Chikamatsu 229
Stagecraft of Kabuki 235
Shimpa 239
The twentieth-century revival of Kabuki 244
Masque Plays of Korea 251
Origins 251
Silla, Koryo andYi periods 253
Dance forms 257
T'alch'um 264
Sandae-togam-guk 267
Dance in the nineteenth century 269
India: Plays and Players 271
Folk plays 272
Temple plays 279
"Traditional" stagecraft 280
Theatre in Bombay 283
North India 286
South India 289
Bengali drama; Rabindranath Tagore
291
Late twentieth-century and contemporary drama
295
India: Puppets and Dancers
307
Puppet theatre 307
Origins of dance-drama
310
Uday Shankar
313
Classical dance-drama forms
Contemporary classical dancers
Terukkuttu
345
Classical dance in India today
347
Dance-drama in the Himalayas
Nepal
351
Bhutan
352
Tibet
357
9 Burma and Ceylon 365
Burma 3^5
Ceylon 367
10 Indonesia 37i
Wayang 371
Westernized drama 375
Javanese dance-drama 376
Balinese performing arts 382
Penca and lopeng 387
Dance Indonesia 388
11 Vietnam and Cambodia 39i
Vietnam 391
Cambodia 394
12 China: FacingWest 399
Kunqu 399

Huaju
CaoYu
Guo Moruo
Lao She
HsiaYen
Ch'en Pai-Ch'en
Li Chien-vvu
Yang Chiang
Yang Lii-fang
Agitprop theatre
Wu Han
13 China:Traditions Continue
Peking opera; Mei lanfang
Regional opera and drama
14 China: Mao and After
The ascendancy of Jiang Qing
Casualties of the Cultural Revolution
Artistic recovery under Deng Xiaoping
Visitors from the West
15 China: Opera, Puppetry, Dance
Chinese opera on tour
Folk-dance and dance-drama
Western-style ballet
Expanding Western cultural influences
Puppetry
Acrobatics
Western-style opera in China
Limits to freedom; staging The Peony Pavilion
New theatres
Performing arts in Hong Kong

16 Taiwan: Another China 575
Peking opera companies 575
Lin Hwai-min and the (jate Theatre 577
/7//(j;>nn Taiwan 5^3
17 Korea: Changing 589
The arrival of Western-style drama 589
Marxist drama groups 592
The Experimental Stage 593
Invasion and war 595
Post-war revival of drama in the South 59^
Native opera 601
Modern and traditional dance in the South 603
Puppetry 619
North Korea 620
18 Japan in the Twentieth Century 627
Shingeki and Shimpa 627
Transition to Westernized drama 629
Playwrights of the early twentieth century: The Bungakuza 636
Yukio Mishima 646
Kobo Abe 668
Masakazu Yamazaki 684
Underground theatre 712
Innovative drama:Tadashi Suzuki, the Noho Group, Kazuo Kikuta and others 718
Contemporary Noh, Kyogen and Kabuki 73^
Western-style opera 750
Classical and modern dance 75^
Butoh 768
New movements in modern dance 786
General Index 805
Index of Producing Companies Avenues 827
Index of Cited Authors 829

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