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The Indus script & the Rig-Veda/ Egbert Richter-Ushanas

By: Richter-Ushanas, EgbertMaterial type: Text

TextPublication details: Delhi : MBP, 2001Edition: 2nd. edDescription: 326p. : ill. ; 23cmISBN: 8120814053Subject(s): Rig VedaDDC classification: 294.59212

Contents:

I. The Indus script and the Rg-Veda 1. The historical background 2. The evidence of a bilingual 3. Short inscriptions (one to six signs) 4. Narrative motifs 5. Long inscriptions 6. Inscriptions of the Late Harappa phase 7. The unicom-standard and the Soma-plant II. The lord of the beasts and the deity in the tree III. Seals and tablets with anthropomorphic motifs 1. Compound motifs 2. The centaur 3. Standing homed person ± arch 4. Man in yoga-posture ± snakes or crocodiles 5. Deity between two tigers 6. The tiger and the goddess in a kino tree 7.'The sacred marriage IV. Seals and tablets with composite animals V. The bull upon the woman and the asvamedha VI. Pururavas and Urvasi VII. Gilgames and ancient India 1. The jewel-tree and the ale-wife Siduri 2. The ship and the Great Flood 3. Gilgames and Istar VIII. The cosmic man in Patanjali's Yoga Sutras IX. Chess as a cosmic diagram X. The development of the Brahmi and the Tamil script XI. The swastika

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Holdings
Item type	Current library	Call number	Status	Date due	Barcode	Item holds
General Books	Central Library, Sikkim University General Book Section	294.59212 RIC/T (Browse shelf(Opens below))	Available		P13820

Total holds: 0

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Previous	294.5921 TIW/A Contemporary world order: a Vedic perspective/	294.59212 GRE/L Love and gender in the rig Veda and medieval Punjabi literature/	294.59212 GRI/T The religion of the Rigveda/	294.59212 RIC/T The Indus script & the Rig-Veda/	294.59215 KAU/K The arthashastra/	294.59218 BON/V Vastusutra upanisad: The essence of form in sacred art/	294.59218 HAN/A An early upanisadic reader: With,glossary and an appendix of related vedic texts/	Next

I. The Indus script and the Rg-Veda
1. The historical background
2. The evidence of a bilingual
3. Short inscriptions (one to six signs)
4. Narrative motifs
5. Long inscriptions
6. Inscriptions of the Late Harappa phase
7. The unicom-standard and the Soma-plant
II. The lord of the beasts and the deity in the tree
III. Seals and tablets with anthropomorphic motifs
1. Compound motifs
2. The centaur
3. Standing homed person ± arch
4. Man in yoga-posture ± snakes or crocodiles
5. Deity between two tigers
6. The tiger and the goddess in a kino tree
7.'The sacred marriage
IV. Seals and tablets with composite animals
V. The bull upon the woman and the asvamedha
VI. Pururavas and Urvasi
VII. Gilgames and ancient India
1. The jewel-tree and the ale-wife Siduri
2. The ship and the Great Flood
3. Gilgames and Istar
VIII. The cosmic man in Patanjali's Yoga Sutras
IX. Chess as a cosmic diagram
X. The development of the Brahmi and the Tamil script
XI. The swastika

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