Alternative scriptwriting : beyond the Hollywood formula / (Record no. 5433)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02067cam a2200193 i 4500 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780240522463 (paper back) |
| 040 ## - CATALOGING SOURCE | |
| Transcribing agency | CUS |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 808.23 |
| Item number | DAN/A |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Dancyger, Ken and Rush, Jeff |
| 245 10 - TITLE STATEMENT | |
| Title | Alternative scriptwriting : beyond the Hollywood formula / |
| Statement of responsibility, etc. | Ken Dancyger and Jeff Rush |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 5th ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc. | New York: |
| Name of publisher, distributor, etc. | Focal Press, |
| Date of publication, distribution, etc. | 2013. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | xi, 466 p.; |
| Dimensions | 23 cm |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc | Includes index. |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | INTRODUCTION<br/>Chapter I Beyond the Rules<br/>STRUCTURE<br/>Chapter 2 Structure<br/>Chapter 3 Critique of Restorative Three-Act Form<br/>Chapter 4 Counter-Structure<br/>Chapter 5 More Thoughts on Three Acts: Fifteen Years Later<br/>Chapter 6 Narrative and Anti-Narrative: The Case of the Two Stevens<br/>Chapter 7 Multiple Threaded Long-Form Television Serial Scripts<br/>GENRE<br/>Chapter 8 Why Genre?<br/>Chapter 9 Working with Genre I and the Thriller<br/>Chapter 10 Working with Genre II: The Melodrama<br/>Chapter 11 Working Against Genre<br/>Chapter 12 The Flexibility of Genre<br/>Chapter 13 Genres of Voice<br/>Chapter 14 The Non-Linear Film<br/>Chapter 15 The Fable: A Case Study of Darkness: The Wizard of Oz and Pan’s Labyrinth <br/><br/>CHARACTER<br/>Chapter 16 Reframing the Active/Passive Character Distinction<br/>Chapter 17 Stretching the Limits of Character Identification<br/>Chapter 18 Main and Secondary Characters<br/>Chapter 19 Subtext, Action, and Character <br/>Chapter 20 The Primacy of Character Over Action:<br/>The Non-American Screenplay<br/>FORM, TONE, AND THEORY<br/>Chapter 21 The Subtleties and Implications of Screenplay Form<br/>Chapter 22 Agency and the Other<br/>Chapter 23 Character, History, and Politics <br/>Chapter 24 Tone: The Inescapahility of Irony<br/>Chapter 25 Dramatic Voice/Narrative Voice<br/>Chapter 26 Digital Features<br/>Chapter 27 Writing the Narrative Voice<br/>Chapter 28 Rewriting<br/>Chapter 29 Adaptations from Contemporary Literature<br/>CONCLUSION<br/>Chapter 30 Personal Scriptwriting: The Edge <br/>Chapter 31 Personal Scriptwriting: Beyond the Edge |
| 650 #0 - SUBJECT | |
| Keyword | Motion picture authorship. |
| 650 #0 - SUBJECT | |
| Keyword | Motion picture plays |
| General subdivision | Technique. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | GN Books |
| Withdrawn status | Lost status | Damaged status | Not for loan | Home library | Current library | Shelving location | Date acquired | Full call number | Accession number | Date last seen | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Central Library, Sikkim University | Central Library, Sikkim University | General Book Section | 28/07/2016 | 808.23 DAN/A | P40624 | 10/02/2023 | General Books |