Avid editing: a guide for beginning and intermediate users / (Record no. 4331)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 11740cam a2200193 a 4500 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780240818566 (pbk.) |
| 040 ## - CATALOGING SOURCE | |
| Transcribing agency | CUS |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 070.4 |
| Item number | KAU/A |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Kauffmann, Sam |
| 245 10 - TITLE STATEMENT | |
| Title | Avid editing: a guide for beginning and intermediate users / |
| Statement of responsibility, etc. | Sam Kauffmann and Ashley Kennedy. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 5th ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc. | Amsterdam ; |
| -- | Boston : |
| Name of publisher, distributor, etc. | Focal Press, |
| Date of publication, distribution, etc. | c2012. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | xxiii, 456 p. |
| Other physical details | ill ; |
| Dimensions | 24 cm. + |
| 500 ## - GENERAL NOTE | |
| General note | Includes index. |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Chapter 1 Getting Started<br/>The Editor's Job<br/>Loading Your Avid Software<br/>The Many Parts of Your System<br/>The Core Parts: Operating System, Processor, System Memory,<br/>Graphics Card, and Internal Hard Drive<br/>I/O Devices<br/>Media Drives<br/>Monitors<br/>Speakers<br/>Tlie Client Monitor<br/>UPS<br/>A Word about Timecode<br/>Avid Editing Workflow<br/>1. Gather Tapes, Files, and Drives<br/>2. Create a New Project<br/>3. Capture/Import<br/>4. Create Bins<br/>5. Edit<br/>6. Add Titles and Effects<br/>7. Perform Sound Work and Color Correction<br/>8. Output Your Project<br/>Getting Started<br/>The Avid User Interface<br/>Toolset Menu<br/>Project Window<br/>Bins and Folders<br/>Bin Views<br/>Source Monitor<br/>Record Monitor<br/>Timeline<br/>User Interface Commands<br/>The Keyboard<br/>J-K-L Three-Button Play<br/>The I and O Keys<br/>The Spacebar<br/>Other Important Commands<br/>The Smart Tool<br/>Active Window<br/>Practice<br/>Starting an Editing Session<br/>Making Your First Cut<br/>Adding Shots to Your Sequence<br/>Ending an Editing Session<br/>Script for Where's the Bloody Money?<br/>Chapter 2 Basic Editing<br/>Editing Rules<br/>Starting Your Second Editing Session<br/>Basic Editing Skills: A Review<br/>Marking Clips<br/>Using the Position Indicator as Your IN Point in the Timeline<br/>Splice and Overwrite<br/>The Timeline<br/>Selecting and Deselecting Tracks<br/>Navigating the Timeline<br/>Home and End<br/>Snapping to Cut Points<br/>Single Frame Keys<br/>Changing the Timeline View<br/>The Timeline Fast Menu<br/>Scaling and Scrolling the Timeline<br/>Enlarge or Reduce Tracks<br/>Track Monitor Icons<br/>Marking Clips in the Timeline<br/>Duplicating a Sequence<br/>Lift and Extract<br/>It Takes Three Marks to Make an Edit<br/>Like a Mantra<br/>Using the Clipboard<br/>Undo/Redo List<br/>Creating Subclips<br/>Using Markers<br/>Adding and Navigating Markers<br/>Deleting Markers<br/>Deleting Sequences and Clips<br/>Suggested Assignments<br/>Chapter 3 Trimming<br/>Trim Concepts<br/>Trim Mode Practice<br/>Entering Trim Mode<br/>Dual-Roller Trim Mode<br/>Leaving Trim Mode<br/>Lassoing the Transition<br/>Single-Roller Trim Mode<br/>Getting into Single-Roller Trim Mode<br/>Performing Trims<br/>Trim Frame Keys<br/>Reviewing the Transition Using the Play Loop button<br/>J-K-L Trimming<br/>Trim by Dragging<br/>Trim Practice<br/>Undo in Trim Mode<br/>Frame Counters<br/>Importance of Trim Mode in Your Editing Workflow<br/>Using Dual-Roller Trim Mode<br/>Split Edits or L-Cuts<br/>Removing a Split Edit<br/>Dual-Roller Trimming Using J-K-L<br/>Changing from Single-Roller to Dual-Roller Trim Mode<br/>Adding and Removing Rollers<br/>Advanced Trim Mode Techniques<br/>Trimming While Watching<br/>Trim One Side, Then the Other<br/>Dragging to an IN Point or OUT Point<br/>Sync Problems in Single-Roller Trim Mode<br/>Enter Trim Mode on Selected Tracks<br/>Trim Mode Review<br/>Getting into Trim Mode<br/>Getting out of Trim Mode<br/>Switching Trim Modes<br/>Methods of Trim<br/>Add Rollers and Remove Rollers<br/>Drag the Rollers<br/>Trim While Watching<br/>Suggested Assignments<br/>Chapter 4 Using the Smart Tool<br/>The Smart Tool<br/>Segment Mode Tools<br/>Extract/Splice Segment Mode Button<br/>Lift/Overwrite Segment Mode Button<br/>Moving Soimd to Different Tracks<br/>Using the Keyboard to Enable Segment Mode Buttons<br/>Combining Segment Mode Functionality via the Smart Tool<br/>Lassoing to Get into Segment Mode<br/>Selecting Many Segments in the Timeline<br/>Using Segment Mode to Delete Clips from the Timeline<br/>Disabling the Segment Mode Buttons by Clicking in the<br/>Hmecode Track<br/>Smart Tool Trim Tools<br/>Ripple Trim<br/>Overwrite Trim<br/>Using the Keyboard to Enable Trim Mode Buttor«<br/>Dual-Roller Trim<br/>Combining Trim Mode Fimctionality via the Smart Tool<br/>Combining All Modes via the Smart Tool<br/>Suggested Assignments<br/>Chapter 5 A Few Editing Hps<br/>When to Cut<br/>Continuity and Eye Trace<br/>Screen Direction<br/>Pacing<br/>Story Structure: Beginning, Middle, and End<br/>Documentary Issues<br/>Short is Better than Long<br/>Screening a Work in Progress<br/>Being Your Own Projectionist<br/>Grilling Your Audience<br/>Developing Thick Skin<br/>Suggested Assignments<br/>Chapter 6 Customization and Organization<br/>Diving into Settings<br/>Mapping Buttons and Menu Items to Your Keyboard<br/>Mapping Menu Items to Your Keyboard<br/>Mapping Commands to Your User Interface<br/>Customizing Bin Views<br/>Adding Custom Data to Your Bin View<br/>Sorting and Sifting<br/>The Find Tool<br/>Customizing Your Timeline<br/>Track Size<br/>Track Color<br/>Other Useful Timeline Settings<br/>Mapping Your Views to the Keyboard<br/>Using Workspaces<br/>Exporting and Importing Your User Profile<br/>Suggested Assignments<br/>Chapter 7 Saving Your Work<br/>If It's a Computer, It Will Crash<br/>Backing Up<br/>After the Crash<br/>Backing Up Media Files<br/>Drag and Drop Your MediaFiles Folder<br/>Back Up Daily<br/>The Attic<br/>Retrieving a File from the Attic<br/>Be Prepared!<br/>Suggested Assignments<br/>Chapter 8 Sound<br/>The Importance of Soimd<br/>Importing Audio Files<br/>Adding and Deleting Audio Tracks<br/>Patching Audio Tracks<br/>Making More Room<br/>Scrolling Your Tracks<br/>Solo and Mute buttons<br/>Audio Scrub<br/>Changing Audio Levels<br/>Audio Tool: What Level is Correct?<br/>Audio Mixer<br/>Changing Levels with the Audio Mixer<br/>Audio Mixer Speed Tips<br/>Panning<br/>Changing Level cind Pan on Multiple Clips<br/>Audio Data<br/>Clip Gain<br/>Volume<br/>Placing Keyframes Automatically<br/>Waveforms<br/>Timeline Views<br/>Track Control Panel<br/>Equalization<br/>Setting the EQ<br/>EQ Templates<br/>Saving Your EQ Effect<br/>When to Use the Different Audio Tools<br/>Other Audio Techniques<br/>Analyzing Audio at the Cut Point<br/>Showing the Source Waveform: Using Toggle Source/Record<br/>Replacing Bad Sound<br/>Setting Up Your Tracks<br/>Tell the Story First<br/>Suggested Assignments<br/>Chapter 9 Effects<br/>Kinds of Effects<br/>Effect Palette<br/>Applying an Effect<br/>Appl5dng Transition Effects<br/>Applying Segment Effects<br/>Using the Quick Transition<br/>Transition Manipulation<br/>Deleting Effects<br/>Real-Time Effects<br/>Effect Editor<br/>More Effect Editing Tools<br/>Working with Keyframes<br/>Saving an Effect as a Template<br/>Transition and Segment Effect Quick Review<br/>Motion Effects<br/>Freeze Frames<br/>Motion Effects<br/>Creating a Clip Using the Motion Effect Editor<br/>Rendering Two-Field Motion Effects<br/>Timewarp Effects<br/>Rendering<br/>Rendering Single Effects<br/>Rendering Multiple Effects<br/>Practice (or Else)<br/>Chapter 10 Titles<br/>Opening the Avid Title Tool<br/>Choosing a Background<br/>Creating Your First Title<br/>Selection Tool<br/>Shadows<br/>Colored Titles<br/>Blending a Title<br/>Creating Title Style Sheets<br/>Soft Shadows<br/>Glowing Titles<br/>Drawing Objects<br/>Transparency<br/>Edge Properties<br/>Alignment Menu<br/>Other Buttons<br/>Saving Titles<br/>Cutting Titles into Your Sequence<br/>Adjusting the Title Length<br/>Adding Fades to Your Title<br/>Editing Titles<br/>Rolling Titles<br/>Cutting in Rolling Titles<br/>Rendering Your Titles<br/>Adjusting the Speed of the Rolling Titles<br/>Crawling Titles<br/>Suggested Assignments<br/>Chapter 11 Keeping in Sync<br/>Sync Problems<br/>The Source of Your Problems<br/>Sync Break Indicators<br/>Many Tracks Mean Many Sync Problems<br/>Markers<br/>Sync Locks<br/>Fixing the Problem by Trimming in Two Directions<br/>Watch Point<br/>Locking Tracks<br/>Keep it Simple<br/>Suggested Assignments<br/>Chapter 12 Additional Editing and Effects Techniques<br/>Delving Deeper<br/>Match Frame<br/>Open Bin: Accessing Materials from Other Projects<br/>Duplicating and Cloning Bin Contents<br/>Intermediate Editing and Trimming Techniques<br/>Slip<br/>Slide<br/>Replace Edit<br/>Single Mark Editing<br/>Intermediate Effects<br/>Picture-in-Picture (PIP)<br/>Advanced Keyframes<br/>3D Warp or 3D Picture-in-Picture<br/>Nesting Effects<br/>The Paint Effect<br/>Obstruction<br/>Clone<br/>Scratch Removal<br/>Intelligent Rendering<br/>Keep Practicing!<br/>Chapter 13 Color Correction<br/>Color Correction<br/>Before You Color Correct<br/>Launching the Color Correction Tool<br/>Pull-down Menus<br/>Your Tools: Groups<br/>The Color Correction Workflow<br/>Automatic Color Correction<br/>Returning to Default<br/>Color Buckets<br/>Suggested Assignments<br/>Chapter 14 Script Integration<br/>A Few Notes About ScriptSync<br/>Holljnvood-Style Editing<br/>The Process<br/>An Example<br/>Naming Clips<br/>Bringing the Script into Media Composer<br/>Linking Clips to the Script<br/>Adding Takes<br/>Changing the Appearance of the Slate<br/>Adjusting Take Lines<br/>Moving Slates<br/>Deleting Takes and Slates<br/>Loading and Playing Takes<br/>The Tab Key<br/>Script Marks<br/>Placing Script Marks Manually<br/>The Fastest Way: ScriptSync<br/>Playing Marked Takes<br/>Looking at Your Coverage<br/>Page and Scene Numbers<br/>Find Script<br/>Off-Screen Dialogue<br/>Only One Take Line<br/>Color Lines<br/>Other Menu Items<br/>A Great Tool<br/>Script for Gaffer's Delight<br/>Chapter 15 Working in HD<br/>HD Primer<br/>DV<br/>720p<br/>lOSOi<br/>lOSOp<br/>Subsampled HD Raster<br/>Color Sampling<br/>Things to Know about Frame Rates<br/>HDSLRs: An HD Sea Change<br/>Working with HD and Hardware<br/>DNxHD<br/>Playback Performance<br/>Creating HD Titles and Importing HD Graphics<br/>Mixing SD and HD in the Timeline<br/>Using Transcode to Downconvert to SD<br/>Downconverting an HD Sequence to SD<br/>Downconverting HD Master Clips to SD<br/>Relinking to Your HD Media<br/>Squeezed<br/>Pan and Scan Effect<br/>Have an HD Year<br/>Chapter 16 Inputting Media<br/>Project Format and Media Creation Settings<br/>Importing<br/>Import Options for Graphics<br/>Image Size Adjustment<br/>File Pixel to Video Mapping<br/>Frame Import Duration<br/>Autodetect Sequentially Numbered Files<br/>Field Ordering in File<br/>Alpha Channel<br/>Importing Graphics<br/>Importing Color Bars<br/>Importing a QuickTime Movie<br/>Keep Going!<br/>Accessing Media Using Avid Media Access (AMA)<br/>Setting up Your AMA Environment<br/>Using Virtual Volumes<br/>Consolidating or Transcoding AMA Media<br/>Transcoding Media<br/>Just the Beginning...<br/>Capturing from Tape<br/>Creating a New Project<br/>Organizing Yourself: Tape and Bin Prep<br/>Connecting Your Equipment<br/>Cables<br/>Configuring a Deck or Camera<br/>The Capture Tool<br/>Working with the Capture Tool<br/>Establishing Deck Recognition<br/>Capturing<br/>Subclipping<br/>Drive Space<br/>Audio Sampling<br/>Lots of Options!<br/>Chapter 17 Outputting Your Sequence<br/>Preparing for Output<br/>Online or Offline?<br/>Checking Your Audio<br/>Creating Header Material<br/>Outputting to Tape<br/>Connecting and Powering up a Deck or Camera<br/>Final Checks<br/>Manually Recording to Tape<br/>Using the Digital Cut Tool to Crash Record<br/>Outputting a Frame-Accurate Version of Your Sequence<br/>Changing Your Sequence Timecode<br/>Understanding Insert Edits and Assemble Edits<br/>Performing the Frame-Accurate Digital Cut<br/>HDV Sequence to HDV Tape<br/>Uprezing Your Offline Sequence<br/>Deleting Unreferenced Precomputes<br/>Preparing to UpRez Your Sequence<br/>The Recapturing Process<br/>Decompose<br/>Timecode Breaks<br/>Replacing Your Audio Tracks<br/>Recreating Title Media<br/>Exporting Digital Files<br/>Preparing to Export<br/>Exporting a Production Still<br/>Exporting Motion Video<br/>Exporting a QuickTime Movie<br/>Exporting a High-Resolution QuickTime Movie<br/>Exporting a QuickTime Movie for the Web<br/>Exporting a Quicktime Reference Movie<br/>Output to DVD<br/>More Export Options<br/>Suggested Assignments<br/>Chapter 18 Shooting on Film, Cutting on Avid<br/>Why Film?<br/>Processing and Transferring the Film<br/>Film Transferred to Video Runs at 23.976<br/>Types of Time code<br/>Timecode and H D<br/>Instructions to Your Lab and Telecine Facility<br/>Filming a Framing Chart<br/>Instructions to Lab<br/>Instructions to the Transfer Facility<br/>Avid Project Format<br/>Sound and Avid<br/>Syncing Picture and Sound<br/>Tips<br/>Finishing Back to Film<br/>Feature Film Workflow<br/>Tracking the Numbers<br/>Creating the Digital Intermediate<br/>Next Stop: Cannes<br/>Chapter 19 Present and Future<br/>Where Do You Go From Here?<br/>Information on the Internet<br/>Getting a Job as an Avid Editor<br/>Other Avid Products<br/>Avid's Future 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| 650 #0 - SUBJECT | |
| Keyword | Video Tapes |
| General subdivision | Editing |
| -- | Data processing. |
| 650 #0 - SUBJECT | |
| Keyword | Motion Pictures |
| General subdivision | Editing |
| -- | Data processing. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | GN Books |
| Withdrawn status | Lost status | Damaged status | Not for loan | Home library | Current library | Shelving location | Date acquired | Full call number | Accession number | Date last seen | Date last checked out | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Central Library, Sikkim University | Central Library, Sikkim University | General Book Section | 07/07/2016 | 070.4 KAU/A | P29574 | 12/09/2017 | 29/08/2017 | General Books |