Routledge handbook of new media in Asia/ (Record no. 190318)
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000 -LEADER | |
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fixed length control field | 04524nam a2200133Ia 4500 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781138026001 |
040 ## - CATALOGING SOURCE | |
Transcribing agency | CUS |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 302.23095 |
Item number | HJO/R |
245 #0 - TITLE STATEMENT | |
Title | Routledge handbook of new media in Asia/ |
Statement of responsibility, etc. | edited by Larissa Hjorth and olivia khoo |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
Place of publication, distribution, etc. | New York: |
Name of publisher, distributor, etc. | Routledge, |
Date of publication, distribution, etc. | 2016. |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 475 p. |
505 ## - FORMATTED CONTENTS NOTE | |
Formatted contents note | List of illustrations<br/>Acknowledgements<br/>Glossary<br/>1 Intimate entanglements: new media in Asia<br/>Larissa Hjortli and Olivia Khoo<br/>PARTI<br/>New media in Asia<br/>2 What's "in"? Disaggregating Asia through new media actants<br/>Ani Maitra and Rey Chow<br/>3 Migrant youth and new media in Asia<br/>Lina Tao and Stephanie Hemelryk Donald<br/>4 Neo-regionahsm and neoliberal Asia<br/>Leo T.S. Citing<br/>5 Mobihzing discontent: social media and networked activism<br/>since the Great East Japan Earthquake<br/>Love Kindstrand, Keiko Nishimura and David H. Slater<br/>6 Bridging art, teclinology, and pop culture: some aspects of<br/>Japanese new media art today<br/>Machiko Kusahara<br/>1 Struggling to stay relevant: the impact of the new media on Asia's<br/>cultural industries<br/>Nissim Otmazgin<br/>j<br/>PART II<br/>New media cultures, politics and literacies<br/>The new media cultures of Chinese migrant workers<br/>Sophie Ping Sun and Jack Unchuan Qiu<br/>9 Young people, new media and citizenship in Asia<br/>Shobha Vhdreuu<br/>10 New media, censorship and gender: using obscenity law to<br/>restrict online self-expression in Japan and China<br/>Mark McLelland<br/>11 MateriaUty of an online community: everyday life of global sport fans<br/>in South Korea<br/>Yonnghan Cho<br/>12 A new media movement and a new praxis @passiontimes.hk<br/>Pui-lam Law<br/>13 A right and not a privilege: freedom of expression and new<br/>media in Malaysia<br/>Susan Leong<br/>PART 111<br/>Intimate publics, screen and haptic cultures<br/>14 Chinese social media, "publicness" and one-party rule<br/>Gloria Dauies<br/>15 Complicating connectivity: women's negotiations with smartphones<br/>in an Indian slum<br/>Jo Tacchi and Tripla Chandola<br/>16 The blended lives of young Chinese online<br/>David Kurt Herold<br/>17 Lines for connectedness: a study of social media practices<br/>in Japanese families<br/>Kana Ohashi and Fumitoshi Kato<br/>18 ^/motion: mobility and intimacy<br/>xii<br/>Helen Grace<br/>19 Locative social media engagement and intergenerational relationships<br/>in China<br/>Baohua Zhou and Miao Xiao<br/>20 Short circuits of Southeast Asian cinema: Viddsee and the project<br/>of online social viewing<br/>Olivia Khoo<br/>PART IV<br/>Mapping mobile, diasporic and queer Asia<br/>21 At the crossroads of change: new media and migration in Asia<br/>Sun Sun Lim, Becky Pham and Kakit Cheotig<br/>22 Digital idnships: intergenerational locative media in Tokyo,<br/>Shanghai and Melbourne<br/>Larissa Hjorlh, Heather Horst, Sarah Pink, Baohua Zhou, Fumitoshi Kato,<br/>Genevicve Bell, Kana Ohashi, Chris Marmo and Miao Xiao<br/>23 Essential labels? Gender identity politics on Hong Kong lesbian<br/>mobile phone application Buttery<br/>Denise Tse-Shaitg Tang<br/>24 Queer mobiles and mobile queers: intersections, vectors, and<br/>movements in India<br/>Nishant Shah<br/>25 Isaac Julien's Ten Thousand Waves: screening human trafFic and<br/>the logic of ebbing<br/>Sean Metzger<br/>PART V<br/>Creative industries: new producers, performatlvity and<br/>production paradigms<br/>26 TV or not TV? Re-infagining screen content in China<br/>Michael Keane and Elaine Jing Zhao<br/>27 New media in Singapore's creative economy: the regulation<br/>of illiberal pragmatism<br/>Audrey<br/>28 Japanese creative industries in ^obalization<br/>Shinji Oyama<br/>29 Globalization of the privatized self-image: the reaction video<br/>and its attention economy on YouTube<br/>Yeran Kim<br/>30 Public broadcasting, the Korean Broadcasting System (KBS),<br/>and its online services<br/>Hye-Kyung Lee<br/>31 The struggle between subaltern nationalisms and the nation-state<br/>in the digital age: China and its ethnic minorities<br/>Kivai-Cheung Lo<br/>32 Mainland Chinese women's homo-erotic databases and the art of failure<br/>Katrien Jacobs<br/>PARTV!<br/>Mobile, play and game ecologies In Asia<br/>33 Game industries in Asia: towards an Asian formation of game culture<br/>Anthony Y.H. Fung and Vicky Ho<br/>34 Online games and society in China: an exploration of key issues<br/>and challenges<br/>Matthew M. Chew<br/>35 The globalization of game art in Southeast Asia<br/>Peichi Chung<br/>36 From a cottage to the symbol of creative industries: the<br/>evolution of Korea's online game industry<br/>Dal Yong Jin<br/>37 Getting a life: expatriate uses of new media in Hong Kong<br/>Meaghan Morris with Elaine Lally and Catherine Driscoll<br/>38 The everyday ness of mobile media in Japan<br/>Kyounghwa Yonnie Kim |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Koha item type | Reference Books |
Withdrawn status | Lost status | Damaged status | Not for loan | Collection Type | Home library | Current library | Date acquired | Full call number | Accession number | Date last seen | Koha item type |
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Reference Collection | Central Library, Sikkim University | Central Library, Sikkim University | 15/09/2016 | 302.23095 HJO/R | 044945 | 15/09/2016 | Reference Books |