Medieval Music/ (Record no. 178041)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 00320nam a2200133Ia 4500 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 0754628515 |
| 040 ## - CATALOGING SOURCE | |
| Transcribing agency | CUS |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 781.430902 |
| Item number | MEC/M |
| 245 #0 - TITLE STATEMENT | |
| Title | Medieval Music/ |
| Statement of responsibility, etc. | Meconi,Honey |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc. | England: |
| Name of publisher, distributor, etc. | Ashgate, |
| Date of publication, distribution, etc. | 2011. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 517 |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Contents: Introduction; Part I Plainchant: The performance of plainchant: some preliminary observations of the new era, Lance W. Brunner; Giving voice to Gregorian chant or: coping with modern orthodoxies, Katarina Livljanic. Part II Secular Monophony: Rhythm, meter, and melodic organization in medieval songs, Hans Tischler; The 'not-so-precisely measured' music of the Middle Ages, Hendrik van der Werf; Voices and instruments in medieval French secular music: on the use of literary texts as evidence for performance practice, Sylvia Huot; Johannes de Grocheio on secular music: a corrected text and a new translation, Christopher Page. Part III Polyphony to 1300: The performance of Parisian organum, Edward Roesner; Franco of Cologne on the rhythm of organum purum, Charles M. Atkinson; The Copula according to Johannes de Garlandia, Jeremy Yudkin; Conductus and modal rhythm, Ernest H. Sanders; The performance of ars antiqua motets, Christopher Page. Part IV Mass and Motet after 1300: Representations of the Mass in medieval and Renaissance art, James W. McKinnon; The performing ensemble for English church polyphony, c.1320-c.1390, Roger Bowers; Text underlay in early 15th-century musical manuscripts, Gilbert Reaney. Part V The Polyphonic Chanson: Machaut's 'pupil' Deschamps on the performance of music: voices or instruments in the 14th-century chanson, Christopher Page; The performance of songs in late medieval France: a new source, Christopher Page; Texting in 15th-century French chansons: a look ahead from the 14th century, Lawrence Earp; Embellishment and urtext in the 15th-century song repertories, David Fallows. Part VI Other Matters: Musica recta and musica ficta, Margaret Bent; The origin and early history of proportion signs, Anna Maria Busse Berger; Jerome of Moravia on the Rubeba and Viella, Christopher Page; The 'Arabian influence' thesis revisited, Shai Burstyn; Series bibliography; Name index. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | General Books |
| Withdrawn status | Lost status | Damaged status | Not for loan | Home library | Current library | Shelving location | Date acquired | Full call number | Accession number | Date last seen | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Central Library, Sikkim University | Central Library, Sikkim University | General Book Section | 29/08/2016 | 781.430902 MEC/M | P33052 | 29/08/2016 | General Books |