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jI.-no -jfl ni "r I 't..<br/>Entangling the Popular; An Introduction to Popular<br/>Culture: A Reader<br/>Omayra Cruz and Raiford Guins I<br/>I. DELINEATING-. CULTURE-MASS-POPULAR 19<br/>1. Raymond Williams. 'Culture' and 'Masses' / 25<br/>From; JSTeywords; A Vocabulary of Culture and Society.<br/>London: Fontana Press, 1976.<br/>2. F.R. Leavis. 'Mass Civilisation and Minority Culture' 33<br/>From: Mass Civilisation and Minority Culture. Cambridge:<br/>Minority Press, 1930.<br/>3. Dwight Macdonald. 'A Theory of Mass Culture' 39<br/>From: Mass Culture: The Popular Arts in America.<br/>Ed. Bernard Rosenberg and David Manning White. New York:<br/>The Free Press, 1957.<br/>4. Tania Modleski. 'Femininity as Mas[s]querade:<br/>A Feminist Approach to Mass Culture' 47<br/>From: High Theory/Low Culture: Analyzing Popular Television<br/>and Film. Ed. Colin MacCabe. Manchester: Manchester<br/>University Press, 1986.<br/>5. Morag Shiach. 'The Popular' 55<br/>From: Discourses on Popular Culture: Class, Gender and History<br/>in Cultural Analysis, 1730 to the Present. London: Polity Press, 1989.<br/>6. Stuart Hall. 'Notes on Deconstructing<br/>"The Popular"' ' 64<br/>From: People's History and Socialist Theory.<br/>Ed. Raphael Samuel. London: Routledge, 1981.<br/>7. Juan Flores.' "Pueblo Pueblo": Popular<br/>Culture in Time' 72<br/>From: From Bomba to Hip-Hop: Puerto Rican Culture<br/>and Latino Identity. New York: Columbia<br/>University Press. 2000.<br/>II. COMMODIFYING: THE COMMODITY,<br/>CULTURE AND SOCIAL LIFE 83<br/>8. Karl Marx. 'The Fetishism of Commodities<br/>and the Secret Thereof , 89<br/>From: Capital: Volume One. A Critical Analysis of<br/>Capitalist Production (Grig. 1867). Reprinted in<br/>The Marx-Engels Reader. R. Tucker (ed). London:<br/>W.W. Norton & Co, 1972.<br/>/<br/>9. Walter Benjamin. 'The Work of Art in the Age<br/>of Mechanical Reproduction' 96<br/>From: Illuminations. Ed. H. Arendt and trans. H. Zohn.<br/>London: Fontana, 1992 (orig. 1936).<br/>10. Theodor W. Adorno. 'Culture Industry<br/>Reconsidered' 103<br/>From: The Culture Industry: Selected Essays on Mass Culture.<br/>London: Routledge, 1991 (orig. English trans., 1975).<br/>11. Guy Debord. 'The Commodity as Spectacle' 109<br/>From: Society of the Spectacle. Detroit, MI: Black<br/>and Red, 1970.<br/>12. Fredric Jameson. 'Reification and<br/>Utopia in Mass Culture' 115<br/>From: Signature of the Visible. London: Routledge, 1990.<br/>13. Lisa Lowe and David Lloyd. 'Introduction to<br/>The Politics of Culture in the Shadow of Late Capital' - 129<br/>From: The Politics of Culture in the Shadow of Late Capital.<br/>Ed. Lisa Lowe and David Lloyd. Durham, NC:<br/>Duke University Press, 1997.<br/>III. MARKETING: SOCIO-ECONOMIC CONSIDERATIONS<br/>OF POPULAR CULTURE 147<br/>14. Paul Smith. 'Tommy Hilfiger in the Age<br/>of Mass Customization' 151<br/>From: No Sweat: Fashion, Free Trade, and the Rights of<br/>Garment Workers. Ed. Andrew Ross. New York: Verso, 1997.<br/>15. Ellis Cashmore. 'America's Paradox' 159<br/>From: The Black Culture Industry. London: Routledge, 1997.<br/>/<br/>16. Inderpal Grewal. 'Traveling Barhie: Indian<br/>Transnationality and New Consumer Subjects' 168<br/>From: positions 7.3, 1999.<br/>17. Janet Wasko. 'Corporate Disney in Action' 184<br/>From: Understanding Disney; The Manufacture of Fantasy.<br/>Cambridge: Polity, 2001.<br/>18. Henry Yu. 'How Tiger Lost His Stripes:<br/>Post-Nationalist American Studies as a History of Rac6,<br/>Migration, and the Commodification of Culture' 197<br/>From: Post-Nationalist American Studies. Ed. J.C. Rowe. Berkeley, CA:<br/>University of California Press, 2000.<br/>IV. PRACTICING: POPULAR TASTES AND<br/>WAYS OF CONSUMING 211<br/>19. John Fiske. 'Popular Discrimination' 215<br/>From: Modernity and Mass Culture. Ed. James Naremore<br/>and Patrick Brantlinger. Bloomington, IN:<br/>Indiana University Press, 1991.<br/>20. Laura Kipnis. '(Male) Desire and (Female) Disgust:<br/>Reading Hustler' - 223<br/>From: Cultural Studies. Ed. Lawrence Grossberg et al.<br/>London: Routledge, 1992.<br/>21. Paul Willis. 'Symbolic Creativity' 241<br/>From: Common Culture: Symbolic Work at Play in the Everyday<br/>Cultures of the Young. Milton Keynes: Open University Press, 1990.<br/>22. Henry Jenkins. 'Star Trek Rerun, Reread, Rewritten:<br/>Fan Writing as Textual Poaching' 249<br/>From: Close Encounters: Film, Feminism, and Science<br/>Fiction. Ed. Constance Penley et al. Minneapolis, MN:<br/>University of Minnesota Press, 1991. ^<br/>23. Joan Hawkins. 'Sleaze Mania, Euro-Trash<br/>and High Art: The Place of European Art Films ^<br/>in American Low Culture' 263<br/>From: Film Quarterly 53.2, 2000.<br/>V: VOICING. IDENTITIES AND ARTICULATION 279<br/>24. Stuart Hall. 'What is this "Black" in Black<br/>Popular Culture?' 285<br/>From: Black Popular Culture. Ed. Gina Dent. Seattle, WA:<br/>Bay Press, 1992. ,<br/>25. Gayatri Gopinath. ' "Bombay, UK, Yuha City":<br/>Bhangra Music and the Engendering of Diaspora' 294<br/>From: Diaspora 4.3, 1995.<br/>26. Lauren Berlant. 'The Face of America and<br/>the State of Emergency' 309<br/>From: The Queen of America Goes to Washington City: Essays on<br/>Sex and Citizenship. Durham, NC: Duke University Press, 1997.<br/>27. Jose Estehan Munoz. 'Pedro Zamora's Real World of<br/>Counterpuhlicity: Performing an Ethics of the Self 324<br/>From: Disidentifications: Queers of Color and the Performance of<br/>Politics. Minneapolis, MN: University of Minnesota Press, 1999.<br/>28. Richard Fung. 'Looking for My Penis: The Eroticized<br/>Asian in Gay Video Pom' 338<br/>From: How Do I Look? Queer Film and Video. Ed. Bad-Object<br/>Choices. Seattle, WA: Bay Press, 1991.<br/>VI. STYLING: SUBCULTURE AND POPULAR<br/>PERl^^ORMANCE 349<br/>29. Dick Hebdige. 'Subculture' 355<br/>From: Subculture: The Meaning of Style. London:<br/>Routledge, 1979.<br/>30. Angela McRobbie. 'Second-Hand Dressed<br/>and the Role of the Ragmarket' " 372<br/>From: Zoot Suits and Second-Hand Dresses:<br/>An Anthology of Fashion and Music. Ed. Angela McRobbie.<br/>Boston, MA: Unwin Hyman, 1988. /<br/>31. Sarah Thornton. 'The Media Development<br/>of "Subcultures" (or the Sensational Story<br/>of "Acid House")' 383<br/>From: Club Cultures: Music, Media and Subcultural Capital.<br/>Hanover, NH: Wesleyan University Press, 1996.<br/>32. TLicia Rose. 'A Style Nobody Can Deal With:<br/>Politics, Style and the Postindustrial City in Hip Hop' 401<br/>From: Microphone Fiends: Youth Music and Youth Culture.<br/>Ed. Andrew Ross and Tricia Rose. New York and London:<br/>Routledge, 1994.<br/>33. Cynthia Fuchs. 'If I Had a Dick: Queers, Punks,<br/>and Alternative Acts' 417<br/>From: Mapping the Beat: Popular Music and Contemporary<br/>Theory. Ed. Thomas Swiss, John Sloop and<br/>Andrew Herman. Oxford: Blackwell Puhlishers, 1998.<br/>34. Judith Halberstam. 'Drag Kings: Masculinity<br/>and Performance' 429<br/>From: Female Masculinity. Durham, NC: Duke<br/>University Press, 2000.<br/>VIL LOCATING: SPACE, PLACE, AND POWER 441<br/>35. Michel de Certeau. 'Walking in the City' 449<br/>From: The Practice of Everyday Life. Berkeley, CA:<br/>University of California Press, 1984.<br/>36. Michael Nevin Willard. 'Seance, TYicknowlogy,<br/>Skateboarding, and the Space of Youth' 462<br/>From: Generations of Youth: Youth Cultures and History in<br/>TKventieth-Century America. Ed. Joe Austin and Michael Nevin<br/>Willard. New York: New York University Press, 1998.<br/>37. Victor Hugo Viesca. 'Straight Out the Barrio: Ozomatli and<br/>the Importance of Place in the Formation of Chicano/a<br/>Popular Culture in Los Angeles' 479<br/>From: Cultural Values 4.4 (October), 2000.<br/>/<br/>38. Paul Gilroy. 'Wearing Your Art on Your Sleeve: Notes<br/>Towards a Diaspora History of Black Ephemera' 495<br/>From: Small Acts: Thoughts on the Politics of Black Cultures.<br/>London: Serpent's Tail, 1993.<br/>39. George Lipsitz. 'Diasporic Noise: History, Hip Hop,<br/>and the Post-Colonial Politics of Sound' 504<br/>From: Dangerous Crossroads: Popular Music, Postmodernism and<br/>The Poetics of Place. New York and London: Verso, 1994.<br/>40. Lisa Nakamura. 'Head-Hunting on the Internet: Identity<br/>Tourism, Avatars, and Racial Passing in Textual and<br/>Graphic Chat Spaces' 520<br/>From: Cybertypes: Race, Ethnicity, and Identity on the Internet.<br/>London: Routledge, 2002.<br/>Index 534 |
