Media and cultural studies: keyworks/ (Record no. 162980)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03675nam a2200181Ia 4500 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780470658086 |
| 040 ## - CATALOGING SOURCE | |
| Transcribing agency | CUS |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 302.23 |
| Item number | DUR/M |
| 245 #0 - TITLE STATEMENT | |
| Title | Media and cultural studies: keyworks/ |
| Statement of responsibility, etc. | edited by Meenakshi Gigi Durham and Douglas Kellner. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc. | Malden: |
| Name of publisher, distributor, etc. | Wiley-Blackwell, |
| Date of publication, distribution, etc. | 2012. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | vii, 635p. |
| Other physical details | ill. |
| Dimensions | 25 cm. |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Part I: Culture, Ideology, and Hegemony<br/>Introduction to Part I<br/>1 The Ruling Class and the Ruling Ideas o<br/>Karl Marx and Friedrich Enjjcls<br/>2 (i) Histor)' of the Subaltern Cdasses; (ii) The C.oncept of "Ideology'<br/>(iii) Cultural Themes: Ideological Material<br/>Antonio Gr/imsci<br/>3 The Work of Art in the Age of Mechanical Reproduction<br/>Walter Benjamin<br/>4 The Culture Industiy: Philightenment as Mass Deception<br/>Max Horkheimer and Theodor W. Adorno<br/>5 The Public Sphere: An Encyclopedia Article<br/>Jur£icn Habermas<br/>6 Ideolog)' and Ideological State Apparatuses (Notes Towards an<br/>Investigation)<br/>Louis Althusser<br/>Part II: Social Life and Cultural Studies<br/>Introduction to Part II<br/>7 (i) Operation Margarine; (ii) Myth Today<br/>Roland Barthes<br/>8 The Medium is the Message<br/>Mard-jall McLuhan<br/>9 The Commodity as Spectacle<br/>Guy Debord<br/>10 Introduction: Instructions on How to Become a General in the'<br/>Disneyland Club<br/>Ariel Dorfman and Armand Mattclart<br/>11 Base and Superstructure in Marxist Cultural Theoty<br/>Raymond Williams<br/>12 (i) From Culture to Hegemony; (ii) Subculture:<br/>The Unnatural Break<br/>Dick Hebdicjc<br/>13 Encoding/Decoding<br/>Stuart Hall<br/>14 On the Politics of Flmpirical Audience Research<br/>len Att^<br/>Part III; Political Economy<br/>Introduction to Part III<br/>15 Contribution to a Political Economy of Mass-Communication<br/>Nicholas Garnham<br/>16 On the Audience Commodity and its Work<br/>Dallas W. Smythc ^<br/>17 A Propaganda Model<br/>Edward Herman and Noam Chomsky<br/>18 Not Yet the Post-Imperialist Fira<br/>Herbert I. Schiller<br/>/<br/>19 Gendering the Commodity Audience: Critical Media Research,<br/>Feminism, and Political Economy<br/>Eileen R. Meehan<br/>20 (i) Introduction; (ii) The Aristocracy ol Culture<br/>Pierre Bourdicu<br/>21 On Television<br/>Pierre Bourdieu<br/>Part IV: The Politics of Representation<br/>Introduction to Part IV<br/>22 Visual Pleasure and Narrative Cinema<br/>Laura Mulvey<br/>23 Stereotyping<br/>Richard Dyer<br/>24 Plating the Other: Desire and Resistance<br/>bell hooks<br/>25 British Cultural Studies and the Pitfalls of Identity<br/>Paul Gilroy<br/>26 Under Western Kyes: Feminist Sehoktrship and Colonial Diseoiirses<br/>Chnndva Tnlpndc Mohnnty<br/>27 Hybrid Cniitures, Ublie]ue Powers<br/>Nestor Gnrcia Cnnclini<br/>Part V: The Postmodern Turn and New Media<br/>Introduction to Part V<br/>28 The Precession of Simulacra<br/>Jcn}i Bnudrillnrd<br/>29 Postmodernism, or the Cultural Logic of Late C,apitalism<br/>Frcdric Jameson<br/>30 Feminism, Postmodernism and the "Real Me"<br/>A)ifjeln McRobbie<br/>31 Postmodern Virtualities<br/>Mark Poster<br/>32 Quentin Tarantino's Star Wars?: Digital Canema, Media<br/>Convergence, and Participator Culture<br/>Henry Jenkins<br/>Part VI: Globalization and Social Movements<br/>9<br/>Introduction to Part VI<br/>33 Disjuncture and Difference in the Global Cultural Economy<br/>Arjun Appadurai<br/>34 The Global and the Local in International Communications<br/>Annabelle Sreberny<br/>35 The Processes: From Nationalisms to Transnationalisms<br/>Jesus Martin-Barbero<br/>36 Globalization as Hybridization<br/>Jan Nederveen Pieterse<br/>37 (Re)Asserting National Television and National Identity Against<br/>the Global, Regional, and Local Levels ot World Television<br/>Joseph Straubhaar<br/>38 Oppositional Politics and the Internet: A Critical/Reconstructive<br/>Approach<br/>Richard Kahn and Douqlas M. Kellner |
| 650 ## - SUBJECT | |
| Keyword | Mass media and culture |
| 650 ## - SUBJECT | |
| Keyword | Popular culture |
| 700 ## - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Gigi Durham, Meenakshi |
| 700 ## - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Kellner, Douglas |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | General Books |
| Withdrawn status | Lost status | Damaged status | Not for loan | Home library | Current library | Shelving location | Date acquired | Full call number | Accession number | Date last seen | Date last checked out | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Central Library, Sikkim University | Central Library, Sikkim University | General Book Section | 29/08/2016 | 302.23 DUR/M | P17890 | 13/06/2023 | 18/05/2023 | General Books |