Kierkegaard's metaphors /
Lorentzon, Jamie
Kierkegaard's metaphors / - 1st.ed. - Macon: Mercer University Press, 2001. - 201 p. - International Kierkegaard commentary .
Introduction. A Truer Impression: Kierkegaard's Metaphors
A. Prologue. Two Views of One Caricature,
B. A Truer Impression,
C. Framing the Abstract in Concrete Terms,
D. The Poet-Philosopher,
1. Deceiving into the Truth:
Metaphor and Indirect Communication (the Maieutic)
A. Kierkegaard's Early Thoughts on Metaphor,
B. .The Pseudonyms: Metaphoric Thought-Experiments,
Godly Satires, and Structuring a Maieutic Authorship
in a World of Direct Commvmication,
C. "The Fork,"
D. Language's Inadequacies, Existentialist Writing,
and Becoming a Human through a Persona,
E. Language Decay, Ambiguities, Opposition,
and the Need for Passionate Tension,
2. Concealing Collisions of the Self:
The Esthetic Poetization of Metaphor
A. Reasons for Esthetic Hiddenness,
B. Sources of Esthetic Hiddenness: the Romantic Tradition,
C. Becoming Entangled in Metaphor and Acting Fatally,
3. Disclosing Collisions of the Self:
The Ethical Analysis of Metaphor
A. From Concealment to Disclosure,
B. Practicing What You Preach; Ethical Actuality's
Terrifying, Matter-of-Fact Task,
C. "You Are the One,'
4. Enacting Collisions of the Self:
The Religious Literalization of Metaphor
A. Kierkegaard's "Concept" of Metaphor,
Interlude: The Coming into Existence of Metaphor,
B. Rejecting or Annulling Metaphor
to Embrace It Existentially,
C. Enacting and Literalizing Metaphor
through Imitation, Suffering, and Atonement
D. The Woman Who Was a Sinner,
E. Epilogue: Metaphor and Dying to the World,
9780865547315
198.9 / LOR/K
Kierkegaard's metaphors / - 1st.ed. - Macon: Mercer University Press, 2001. - 201 p. - International Kierkegaard commentary .
Introduction. A Truer Impression: Kierkegaard's Metaphors
A. Prologue. Two Views of One Caricature,
B. A Truer Impression,
C. Framing the Abstract in Concrete Terms,
D. The Poet-Philosopher,
1. Deceiving into the Truth:
Metaphor and Indirect Communication (the Maieutic)
A. Kierkegaard's Early Thoughts on Metaphor,
B. .The Pseudonyms: Metaphoric Thought-Experiments,
Godly Satires, and Structuring a Maieutic Authorship
in a World of Direct Commvmication,
C. "The Fork,"
D. Language's Inadequacies, Existentialist Writing,
and Becoming a Human through a Persona,
E. Language Decay, Ambiguities, Opposition,
and the Need for Passionate Tension,
2. Concealing Collisions of the Self:
The Esthetic Poetization of Metaphor
A. Reasons for Esthetic Hiddenness,
B. Sources of Esthetic Hiddenness: the Romantic Tradition,
C. Becoming Entangled in Metaphor and Acting Fatally,
3. Disclosing Collisions of the Self:
The Ethical Analysis of Metaphor
A. From Concealment to Disclosure,
B. Practicing What You Preach; Ethical Actuality's
Terrifying, Matter-of-Fact Task,
C. "You Are the One,'
4. Enacting Collisions of the Self:
The Religious Literalization of Metaphor
A. Kierkegaard's "Concept" of Metaphor,
Interlude: The Coming into Existence of Metaphor,
B. Rejecting or Annulling Metaphor
to Embrace It Existentially,
C. Enacting and Literalizing Metaphor
through Imitation, Suffering, and Atonement
D. The Woman Who Was a Sinner,
E. Epilogue: Metaphor and Dying to the World,
9780865547315
198.9 / LOR/K